Reviews
Review: ‘Serious Justice’ by Jen Calleja
Jen Calleja’s Serious Justice (Test Centre) is a haunting book, documenting the anxiety and isolation of everyday life through elegant, disarmingly intimate poems. Many of the poems in Serious Justice masquerade as casual observation about a wide variety of ordinary characters living their ordinary lives. At close up, these experiences are often revealed to be…
Sophie Robinson
Review: ‘The Toll’ by Luke Wright
Luke Wright is at his forceful best in this state-of-the-nation adventure that is far darker than its jaunty rhythms and bell-like rhymes might suggest. The first poem of The Toll (Penned in the Margins), which serves as a kind of epigraph, carries the refrain ‘Oh England, heal my hackneyed heart’, and is one of the…
Jacqueline Saphra
Re: Review: ‘You Have A Visitor’ by William Wootten
William Wootten’s You Have a Visitor (Worple) shows an impressive mastery of a range of forms working in the tradition of Auden and Gunn. Sequenced around the seasons, You Have a Visitor begins with ‘Reveille’ in which ‘Day comes up cold,’ and works through ‘Easter Tide’, ‘Of Late June’ and the harvests of autumn, to a charming…
Jonathan Edwards
Review: ‘The Watermark’ by Alice Anderson
I think of myself as pretty much unshockable, but there are, for me, some gasp-worthy moments in this unflinching collection from Alice Anderson. Set in the American South, The Watermark is an apparently confessional book and almost every element of Anderson’s world is refracted through a lens of sex and violence. This is the story…
Jacqueline Saphra
Review: ‘Psalmody’ by Maria Apichella
Maria Apichella’s first collection, Psalmody (Eyewear), ends on a note of quiet, confident affirmation: I can’t play the sax I can’t bang the drum I can’t work the flute I can’t pick the harp but I can respond. Apichella’s tough, lyrical psalm-poems celebrate the virtue of responsiveness, suggesting the possibility of a deeper,…
Jeremy Wikeley
Review: ‘Speak from Here to There’ by Kwame Dawes & John Kinsella
‘We co-exist.’ Speak from Here to There (Peepal Tree Press) begins with this claim, followed by a description: The York gum bark is stripping itself off, shiny skin underneath exposed to the sun. Late summer – summers that won’t end – and it seems to be a statement, much more than restating a habit, a well-researched…
Will Harris
Review: ‘The Number Poems’ by Matthew Welton
The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight. John Berger, Ways of Seeing The Book of Numbers is like an artist’s sketch…
Heidi Williamson
Review: ‘Moon For Sale’ by Richard Price
Moon for Sale does not pander to, or patronise, its reader and often reading the poems you become aware you are in the presence of a mind working much more quickly and sharply than your own. If, like me, vast swathes of your reading diet consists of fairly orthodox lyrical poetry, then it might serve…
Richie McCaffery
Review: ‘The Met Office Advises Caution’ by Rebecca Watts
Reading Rebecca Watts’ first collection, I’m reminded of a phrase by D. M. Black who, talking about the Scottish poet Robert Garioch, advised readers to be careful in approaching his work, because beneath the quiet exterior ‘passions burn’. The same can be said of Watts’ initially disarming and unassuming poems that soon give way to…
Richie McCaffery
The Poetry School Books of the Year 2016
Although not, by popular consensus, a brilliant year generally, 2016 has been a good year for poetry: sales of poetry books topped £10m for the first time, a poet – Warsan Shire – featured on Beyonce’s latest album, Penguin reopened its poetry list, and, for the second year in a row, the Forward Prizes were…
Ali Lewis
Review: ‘The Fetch’ by Gregory Leadbetter
How do the dead function in poems? In Gregory Leadbetter’s quietly stunning debut The Fetch, the dead appear as echoes in the form of many ‘fetches’ – the apparition or double of a living person, usually an omen for impending death – that quietly haunt throughout. The collection’s title poem begins suitably with noises in…
John Challis
Review: ‘The Nine of Diamonds, Surroial Mordantless’ by MacGillivray
What do you do with three hundred years of Scottish history, a tarot deck and a battalion of European surrealist artists? If you’re MacGillivray, a multi-disciplinary artist exploring the Highland psyche, you make The Nine of Diamonds, Surroial Mordantless, her second collection, and first under the Bloodaxe imprint. Surroil Mordantless explores the legacy of ‘The…
Christie Williamson
Review: ‘The Way to Work’ by Tom French
Tom French’s fourth collection, The Way to Work, continues to explore the territory he has been making his own since his astonishing 2001 debut, Touching the Bones. The usual French hallmarks – seriousness, sincerity, family, the past, rural Ireland – are very much present and correct. The Way to Work is a generous, wide-ranging collection,…
Jonathan Edwards
Review: ‘Dirt’ by William Letford
Billy Letford’s first collection Bevel found the poet grappling with graft, family and home and in his keenly anticipated follow-up Dirt, he keeps these themes close to heart while venturing further afield, never ‘feart’ to get his hands dirty. There is the staple poetry you would expect from Letford here: elegy, anger and memory. But…
Richie McCaffery
Review: ‘The Immigration Handbook’ by Caroline Smith
The Immigration Handbook collects together stories of people caught up in the unwieldy, impersonal and often seemingly illogical world of government bureaucracy. Not unlike the recently released I, Daniel Blake, such a bureaucracy is shown to brutalise those who depend on it the most. Caroline Smith is perfectly placed to write these stories, having worked…
Kim Moore
Review: ‘Noir’ by Charlotte Gann
Charlotte Gann’s debut poetry collection is filled with dark and anxious poems that aren’t afraid to leave their often-worrying situations unresolved. Noir is a tightly woven collection of half-told narratives, which leave room for the reader’s imagination. The opening poem, ‘Puzzle’, reveals, manifesto-like, the intentions of the book: If I look closely I can…
John Challis
Want to write reviews for us?
If you’re a poet and interested in writing reviews on the latest poetry releases, then listen up! We’ve decided to make a few tentative tip-toes into the poetry reviewing game, and we want YOU to help. We will pay £60 for a review of one collection or poetry book, at a blog-friendly length of at…
Will Barrett (Poetry School)
Autumn 2015: New Courses and Workshops
Here’s a quick look at what’s on offer for our Autumn Term (beginning 14 September 2015). To find out about a particular course or tutor, follow the title links or call us to enquire on 0207 582 1679. If you’d like to print out a copy of our brochure to look through at home, you can…
Poetry School
J O Morgan’s ‘At Maldon’
J O Morgan has confronted history in the form of the Battle of Maldon. It`s a real event that occurred in 991 AD, a battle between Anglo-Saxons led by Byrhtnoth the earldoman or local military leader and a Viking invasion horde led by Olaf Tryggvason a Viking prince. It took place near Northey Island a…
Keith Parker