Reflections on movement and witness haunt Ella Frears’s debut, Shine, Darling. ‘I Knew Which Direction’, the prologue poem that offers a roadmap for our movement through the collection generally, also introduces the book’s metaphorical patron saint: the moon. The poem begins with its speaker on a shore, drawn to that moon ‘tilted toward the sea’…
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Blog 1 week ago
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Mario Chard
Rachel Long’s debut collection, My Darling from the Lions, interweaves accessible narrative poems with surrealist ones to explore a mixed-race speaker’s arrival into womanhood. Five nearly identical versions of the poem ‘Open’ occur in the book’s first section. Each features an ‘I’ engaged in the same dialogue with different interlocutors: This morning he told meI…
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Blog 1 week ago
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Emily Pérez
As you wrap yourself in your warmest scarf and woolliest sweater, you can look forward to our Spring 2021 Term here at the Poetry School! Our Spring Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is…
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Blog 3 weeks ago
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Poetry School
The new Studio+ format is both intense and intensely wonderful: a Zoom sandwich, if you will. Or where Zoom is the bread, and Campus is the jam. It was lovely to virtually ‘meet’ the course members, before we set them tasks on our Campus group, and certainly added to the group’s dynamic. In response to…
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Blog 4 weeks ago
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Caleb Parkin
Rishi Dastidar’s second collection is a chimera. At once a long narrative poem, a one-man play with modest stage directions, and a DIY manual for How to Set Up and Rule a Nation, the book is also written in the format of a legislative document, with numbered clauses sub-dividing into indented elaborations: 24.2. It was…
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Blog 1 month ago
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Stephanie Sy-Quia
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