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How I Did It – Ted Hughes Award: Inua Ellams on #Afterhours
This year we’ve once again asked the poets shortlisted for the Ted Hughes Award to explain the creative process behind their award-nominated work as part of our ongoing ‘How I Did It‘ series. In this final instalment, Inua Ellams discusses #Afterhours, a collection comprising response poems, memoir, diary and artwork. In 2014 I turned 30 and…
Inua Ellams
Review: ‘Rope’ by Khairani Barokka
Khairani Barokka’s first book of poetry, Rope, is published at a time in which the lyric poem is being reexamined and reoriented, the form newly charged with political meaning in the hard light of its hitherto unacknowledged ideologies. 2017 was, and 2018 will be, an intense reworking of our poetics in response to previous failures…
Joey Connolly
Naming the Hill: A Conversation with the Non-Human
Ahead of her new online course, Die Like a Wolf: Writing the Non-Human, Suzannah Evans discusses the non-human in her poem ‘Naming the Hill’, published for the first time here. Integrity is wholeness, the greatest beauty is Organic wholeness, the wholeness of life and things, the divine beauty of the universe. Love that, not man…
Suzannah Evans
How I Did It – Ted Hughes Award: Antony Owen on ‘The Nagasaki Elder’
This year we’ve once again asked the poets shortlisted for the Ted Hughes Award to explain the creative process behind their award-nominated work as part of our ongoing ‘How I Did It‘ series. In this third instalment, Antony Owen talks about writing The Nagasaki Elder (V. Press), a journey through the bombed cities of Japan, drawing on accounts of…
Antony Owen
How I Did It – Ted Hughes Award: Matthew Francis on ‘The Mabinogi’
This year we’ve once again asked the poets shortlisted for the Ted Hughes Award to explain the creative process behind their award-nominated work as part of our ongoing ‘How I Did It‘ series. In this second instalment, Matthew Francis discusses the writing of The Mabinogi (Faber and Faber), a poetic adaptation of the 14th Century Welsh epic…
Matthew Francis
Ledbury Emerging Critics: Sarala Estruch Reviews ‘Malak’ by Jenny Sadre-Orafai
You don’t have to be a believer in palmistry or divination to enjoy Jenny Sadre-Orafai’s second collection, but openness to alternative ways of seeing and knowing is an advantage. The book is titled after the poet’s late grandmother who was a chirologist and diviner, well respected in her community. In ‘Company’ we are told: ‘Families…
Sarala Estruch
How I Did It – Ted Hughes Award: Greta Stoddart on ‘Who’s There?’
This year we’ve once again asked the poets shortlisted for the Ted Hughes Award to explain the creative process behind their award-nominated work as part of our ongoing ‘How I Did It‘ series. In this first instalment, Greta Stoddart talks about the genesis of Who’s There?, a radio piece tackling the topic of dementia through an interweaving of…
Greta Stoddart
Ledbury Emerging Critics: Nasser Hussain reviews ‘Calling a Wolf a Wolf’ by Kaveh Akbar
John Ebersole’s late 2017 Tourniquet review of Calling a Wolf a Wolf is harsh. Even when he’s trying to compliment Akbar’s work, it’s backhanded – as in the opening of his review where we read: Dumbfoundedly imaginative and self-absorbed, [Akbar’s] poetry engulfs the reader with so much turbulent rhetoric you’re surprised he’s capable of writing…
Nasser Hussain
Primers Volume 3 Launches in London on 3rd May
The London Launch of Primers: Volume Three by Romalyn Ante, Sarala Estruch and Aviva Dautch will take place on Thursday 3rd May at the Crypt on the Green, Clerkenwell, at 19:30. The poets will be introduced by Nine Arches Press editor Jane Commane and Primers selecting editor Hannah Lowe. The event is free and no…
Poetry School
‘Why do dominant cultures translate so much?’
Translation is a hot topic. Search for ‘translation’ in Google and you’ll see numerous news stories; many are to do with an innovative array of emerging translation technologies – for example, earbuds that can translate languages in real time. Whereas human translators may find simultaneous translation mentally exhausting, machine translators can last as long as…
Nisha Ramayya
Review: ‘Giant’ by Richard Georges
In September 2017, Richard Georges’ Make Us All Islands was shortlisted for the Forward Prize first collection. Georges was due to fly from his home in the British Virgin Islands (BVI) to the prize readings in London. Georges never made it. Georges was unable to attend the Forward Prize readings due to the storms that…
Peter Raynard
Why do we read, and write, taboos?
A few years ago I read Tiger Tiger, a controversial memoir by Margaux Fragoso which chronicles her long-term relationship with a 51-year old man, Peter, which began when she was just seven years old. As a culture, we are collectively repelled by paedophiles – the acts they engage in, or even fantasise about, with children…
Christina Thatcher
Tutor Academy – April 2018
Looking to shake off this Siberian weather? In need of some springtime inspiration? Then check out our upcoming Tutor Academy! For this project we have collaborated with Nathalie Teitler, director of The Complete Works, and co-curated a panel of up-and-coming poets who have never taught for the Poetry School before. We are very happy to be welcoming these 8 poets into…
Andrew Parkes (Poetry School)
Two for Joy: Happy Poems
Sky entered and held surprise wide open (‘The Skylight’, Seamus Heaney) . It seems I was called for this: / To glorify things just because they are (‘Blacksmith Shop’, Czesław Miłosz, translated by the author and Robert Hass) . Pass the tambourine, let me bash out praises (‘The Way We Live’, Kathleen Jamie) Happiness…
Rachel Piercey
Transreading the Baltics
Want to see Riga? Or, for that matter, any other place in Latvia. Or Lithuania. Or Estonia… In July 2009 I moved out of Poland, which – five years after joining the European Union – hoped to be perceived as a central part of its continent, rather than its eastern addition. I moved out of…
Elżbieta Wójcik-Leese
Review: ‘My Dark Horses’ by Jodie Hollander
For some, childhood innocence erodes slowly with each new experience. The lucky ones get to occupy this safe, uncomplicated realm – at least for a time. The longevity of this illusion often depends on the adults around us. For Jodie Hollander’s protagonist, the illusion is broken at a young age, a recurring sensation that is…
Lucy Winrow
Review: ‘Landfill’ by John Wedgwood Clarke
We think that once we throw something away it vanishes, and John Wedgwood Clarke’s poems play with that notion and show us how mistaken we are. Reading Landfill, Wedgwood Clarke’s latest collection and the product of a year spent as poet-in-residence at two refuse centres near York and Scarborough, I was struck by something inspiring…
Richie McCaffery
We’re moving!
The Poetry School is delighted to announce that we are moving to 1 Dock Offices, Surrey Quays Road, Canada Water, SE16 2XU. From the beginning of the Summer Term, our offices and London classrooms will move to this historic Grade II listed building, located just 2 minutes walk…
Poetry School
Summer 2018 Courses Quick Guide
The Summer 2018 Term is now open for booking! We are delighted to open the booking period for the final term of our 20th anniversary year at the Poetry School. Remember that new students get 15% off all courses, just give us a call to get your discount! Concessions are available, and applications for bursaries –…
Ali Lewis
Review: ‘Brood’ by Rhian Edwards
Rhian Edwards’ eagerly anticipated pamphlet, Brood, is as compact as a bird’s nest, haunting as a folk song, and as brooding as the title suggests. Brood explores the fragilities of the nuclear family and each line bristles with the channelled focus of a magpie. It is short, even for a pamphlet, with only fourteen poems….
Maria Apichella
Review: ‘The Mains’ by Patrick Davidson Roberts
The Mains (Vanguard Editions) is a long, dark night of the soul and is not the place for studied scenes of domestic strife or costive little elegies. The reader coming to these poems for the first time might well be thrown by them; their aesthetic is jagged, frantic, and elliptical. One thing to bear in mind is that…
Richie McCaffery
Rules Were Made to be Broken
Despite the title I have chosen for this workshop, rules in poetry are not necessarily a bad thing. Anyone thinking of entering a poetry competition for the first time, for instance, would do well to read Fleur Adcock’s hilarious ‘The prize-winning poem’, which gives a very clear idea of the kinds of things that are…
David Clarke
Poetry School and Poet Paul Stephenson to Curate Poetry in Aldeburgh 2018
The Poetry School and Poetry in Aldeburgh are delighted to announce that the 2018 Poetry in Aldeburgh Festival will be curated by the Poetry School and the poet Paul Stephenson. The three-day festival will take place on the weekend of 2nd-4th November, 2018 and feature readings, workshops, films, and more from internationally-renowned poets. With…
Poetry School
Review: ‘Hello. Your Promise Has Been Extracted’ by Ahren Warner
Though you might not recognise it, history is here again. They say the European project is coming apart, and I suppose time will tell. In the meantime, the least an artist can do is to try to bear witness. A wave is crashing over this century as it crashed over the last, and while there…
Humphrey Astley
Now Hear This: A Mixtape
To celebrate our upcoming course, Now Hear This: Percussion, Tune and the Poetics of Hip Hip, our tutor and MC, Eric Berlin, has kindly put together this mixtape of the best tracks from his favourite lyricists in the game. It’s a great way to fend off these slate grey, droopy January days. If this doesn’t…
Will Barrett (Poetry School)