One of the hardest things for boys to learn is that a teacher is human. One of the hardest things for a teacher to learn is not to try and tell them. …
Writing prompt – False Memory by Ben Rogers History can be a difficult thing to pin down, and the fallibility of memory can be one of the challenges in determining what actually happened when. Take a journey into the False Memory Archive, a collection of vividly recalled personal accounts of things that didn’t happen. You can read…
An Interview with Hannah Lowe
In the latest collection, Chan, I’ve tried to push form a bit more, writing in a new form I’ve called a “borderliner”, a conflation of a bold and non bold poem which can be read vertically and horizontally, but which fits into a block of text.
The path to a first collection – torturous and winding, or downhill all the way? As part of our CAMPUS Digital Open Day, we’ve put together a powerhouse panel of two poet/editor pairings – Amy Wack & Kim Moore, and Hannah Lowe & Neil Astley – who’ll be here to talk luck versus hard work,…
Last term, Hannah Lowe headlined our Autumn term launch party and read from her debut collection, Chick, where she thrilled the crowd with tales of misadventure from her childhood and illuminated the secret life of her enigmatic, card-playing father. And now, with this podcast, we re-present the whole reading in all its glory. If you…
Christopher Madden reads the latest anthology edited by John Greening and Kevin Gardner, and the new poetry collection by Aaron Kent. Contraflow: Lines of Englishness 1922-2022, Ed. John Greening & Kevin Gardner Every anthology poses two fundamental questions: ‘Why this?’, and ‘Why now?’ For John Greening and Kevin Gardner, the editors of Contraflow: Lines of…
We are delighted to share our favourite poetry books of the year! It has been another challenging year for obvious reasons, but, in spite of it all, poetry has not only persevered but thrived! 2021 has seen the publication of so many incredible titles, both from established names and emerging poets. So, without further ado,…
As you wrap yourself in your warmest scarf and woolliest sweater, you can look forward to our Spring 2021 Term here at the Poetry School! Our Spring Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is…
The leaves are green and the sun is still shining, but we’re already looking forward to the Autumn Term here at the Poetry School! Our Autumn Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our…
We are delighted to announce that our Spring 2020 courses are now UP and BOOKABLE! Below is a quick guide of all of the courses that have opened for booking today. Note: We expect many of our courses to sell out very fast, so make sure to secure your place on your favourite course or courses today!…
If, like me, you believe that uncovering untold histories – whether personal, familial, or national – is important, and a vital part of the poet’s work, then join me for a day of reading and discussing poets who do just that. A few months ago, I was in a workshop with Bernardine Evaristo and the…
With the deadline for Primers Volume Four, our mentoring, editing and publication scheme, just around the corner, we thought we’d catch up with last year’s Primers poets, Sarala Estruch, Romalyn Ante and Aviva Dautch to find out about their experience on the programme. You can buy their book, Primers Volume Three here! First things first, how did it…
The London Launch of Primers: Volume Three by Romalyn Ante, Sarala Estruch and Aviva Dautch will take place on Thursday 3rd May at the Crypt on the Green, Clerkenwell, at 19:30. The poets will be introduced by Nine Arches Press editor Jane Commane and Primers selecting editor Hannah Lowe. The event is free and no…
Congratulations to Romalyn Ante, Sarala Estruch and Aviva Dautch, who have been selected for this year’s Primers! Each poet will receive mentoring from Hannah Lowe, editorial support from Jane Commane, and publication in Primers Volume Three with Nine Arches Press! Nine Arches editor and Primers judge, Jane Commane said: “Huge congratulations to our three finalists, and…
The Poetry School and Nine Arches Press are delighted to announce the shortlist and longlist for Primers Volume 3, a mentoring and publication scheme. After reading thousands of poems, judges Hannah Lowe and Jane Commane have selected ten manuscripts for the shortlist and nineteen manuscripts for the longlist. We’ll be publishing poems by all of…
With the deadline for Primers Volume Three, our mentoring, editing and publication scheme, just around the corner, we thought we’d catch up with last year’s Primers poets, Marvin Thompson, Ben Bransfield and Cynthia Miller, to find out about their experience on the scheme. You can buy their book, Primers Volume Two here! To apply for Primers Volume Three,…
We’re delighted to announce the line-up for Poetry in Aldeburgh Festival 2017, co-curated by The Poetry School. As Headline Partners for the festival, The Poetry School are offering an exciting and diverse line-up of workshops, talks and readings alongside Poetry in Aldeburgh’s main programme of events. The festival features headline readings from Cholmondeley Award winners Bernard O’Donoghue and Lavinia…
Ahead of our Summer School at the end of July, we asked the participating tutors to take part in an interview chain. Each tutor asks three questions, and in turn is asked three questions by another tutor. None of the tutors had any idea who they were interviewing, or who was interviewing them. In this…
The Poetry School and Nine Arches Press are delighted to announce the arrival of Primers 3, the third year of our scheme which creates a unique opportunity for talented poets to find publication and receive a programme of supportive feedback, mentoring and promotion. The scheme will select three poets whose work will feature together in…
There’s a quality about Roy McFarlane’s Beginning With Your Last Breath (Nine Arches Press) that makes me want to step away from academic language when describing it, and instead focus on the thoughts and feelings that come to mind. That is not to say that there is little here to talk about – McFarlane’s command…
In Autumn 2016 we advertised for applications for Poet in Residence at the inaugural Poetry in Aldeburgh Festival. Ben Rogers was subsequently put into position and undertook a month full of research, interviews, writing prompts and poems. We asked him to provide his reflections on this mammoth task in the hope it might prove useful to…
There is no doubt about it: the world is changing, and changing quickly. As people travel from one place to another to work or live, they create increasingly multicultural communities where different ideas, customs and languages interact, combine and clash. In London, for example, the streets are filled with the cadences of different dialects as people…
SLEEP SONNET I last touched the world of sleep at midday when sun shone through and through a train and the woman opposite was painting her nails an ocean of deep red stations trailed unreal names jolted words away from language upholstered in grey/blue now through night without corridors or sleep or stars my mind…
Taking our lead from David Tait and Jennie Osborne this term, we’ve tried to give a concise run-down of our Spring 2017 courses, using just two lines or less! Short Courses A Conversation with the Past (Modernisms) with Tim Dooley: Consider how the innovations of modernism influenced the direction of poetry and workshop new poems in…
Today’s poem from Fiona Moore’s pamphlet The Only Reason for Time is set in Dunwich, a small coastal village located a few miles north of Aldeburgh. The poem’s persistent refrain “for you” develops and builds through the couplets, while echoing the rhythm of the North Sea’s “raids” against the shore. At Poetry in Aldeburgh: Fiona…