Poetry Articles
Taking the Piss Flower: on the pitfalls of writing poems inspired by art, and bringing something new to the party
Ekphrasis is one of those poemy words poets assume everyone knows, like villanelle, and pantoum; but my Mac doesn’t recognise it, flags it up, and takes me to Wiki – ‘an ekphrastic poem is a poem inspired or stimulated by a work of art’. I remember feeling so happy when I first discovered the word,…
Claire Collison
The Zen of Ecopoetics: the contribution of Zen to modernist American poetry
In Breathing: Chaos and Poetry, the Italian philosopher Franco Berardi suggests that poetry is the excess of semiotic exchange that goes beyond the limits of language and, by extension, transcends the limits of reality as we know it. In this sense, poetry offers us a way of rethinking our relationship with non-human beings and environments,…
Enaiê Mairê Azambuja
Review – Of Sea by Elizabeth-Jane Burnett, and Thinking With Trees by Jason Allen-Paisant
What is the language of the invertebrate? What form might the invertebrate provide the poet? Elizabeth-Jane Burnett’s Of Sea traces the light shed by bodies alternatively-structured: A ‘Prickly Cockle’ ‘start[s] light’, the coat of an aphid ‘dusts light’ in ‘Lupin Aphid’, a ‘Murky-legged Legionnaire Fly’ provides a ‘blurt of sun’. A note at the start…
Amaan Hyder
Sources of Poetic Language
Imagination, Wonder, and the Everyday The mourning doves are beginning to coo again and yesterday I saw the families of cardinals in the yew, all busy setting up. The past few days were very windy, and we found a fallen nest, the size of a basketball, along the street. It feels as if I am…
Carmen Bugan
Transreading Ethiopia with Chris Beckett
Selam hullu…..Hello everyone! I’ve already blogged about my boyhood in Addis Ababa as an intro for my autumn 2021 course on Childhood: A Source of Praise. So I don’t want to repeat too much of what I said then, but it feels like I’m travelling the same path again! It’s a really great feeling, because…
Chris Beckett
Review – Like a Tree, Walking by Vahni Capildeo
Vahni Capildeo is an astonishingly prolific and inventive poet, and Like a Tree, Walking, showcases the full range of their imagination. The collection begins with a poem ‘In Praise of Birds’, which captures the spirit of the work as a whole: In praise of high-contrast birds, purple bougainvillea thicketing the golden oriole. In praise of…
Maggie Wang
Writing After David Lynch – Students’ Poem
The Writing After David Lynch ten-week course took us all on a thrilling and mysterious journey across David Lynch’s films. As part of the penultimate session, on Mulholland Drive, I invited the students to respond to Naomi Watts’ staggering audition scene with a single four-line stanza, that I would then order and curate into a group poem. I took inspiration…
Chrissy Williams
Review – Brilliant Corners by Nuzhat Bukhari, A Blood Condition by Kayo Chingonyi
How do we reconcile conflicting inheritances? Many poets of colour find themselves caught between two roads: the English lyric, whose focus on internal feeling can imply a disavowal of history, and the real histories from which today’s poets arise; histories bent by the home of the English lyric. The lyric and its most apparently ahistorical…
April Yee
Poetry Books of the Year 2021
We are delighted to share our favourite poetry books of the year! It has been another challenging year for obvious reasons, but, in spite of it all, poetry has not only persevered but thrived! 2021 has seen the publication of so many incredible titles, both from established names and emerging poets. So, without further ado,…
Poetry School
Summer School 2021
We are delighted to welcome you to our 2021 Summer School! This programme of half-day workshops has been curated in collaboration with the exhibition A Fine Day for Seeing at Southwark Park Galleries. This show takes its title from the New York School poet Frank O’Hara, who bridged the literary and artistic worlds in the…
Poetry School
Places to Submit your Poetry in 2021
You’ve just completed a Poetry School course and have written and edited a few new poems, so what now? Submitting your poems to a magazine, journal, or press is the first step to sharing your work with an audience and building up a readership, which is crucial if you’re looking to publish your work in…
Esther Heller
Dark Canadee
We are pleased to share with you all the First Voyages of Dark Canadee. Dark Canadee, is a twisted poetry fantasy, set in an alternative Canada Water, and tailor-made by T.S. Eliot Prize-nominated Glyn Maxwell for the times in which we find ourselves. The project takes the form of a serial literary fiction where, each…
Poetry School
The Online Museum Poet: A Job Description
The new Studio+ format is both intense and intensely wonderful: a Zoom sandwich, if you will. Or where Zoom is the bread, and Campus is the jam. It was lovely to virtually ‘meet’ the course members, before we set them tasks on our Campus group, and certainly added to the group’s dynamic. In response to…
Caleb Parkin
Review: ‘Saffron Jack’ by Rishi Dastidar
Rishi Dastidar’s second collection is a chimera. At once a long narrative poem, a one-man play with modest stage directions, and a DIY manual for How to Set Up and Rule a Nation, the book is also written in the format of a legislative document, with numbered clauses sub-dividing into indented elaborations: 24.2. It was…
Stephanie Sy-Quia
Writing ‘Heart-to-Heart’ About Political Discontent
Between the Covid-19 pandemic, the renewed concerns over racism and inequality, and the deepening of the climate crisis, our collective nerves are stretched to the limit and we are struggling to stay above water. There is no doubt that the global community is doing serious and urgent soul-searching. How can we be of help? As…
Carmen Bugan
Soundtext Anthology
Soundtext was a course run in the Spring Term of 2020 for the Poetry School. The course sought to push the boundaries of possibility in terms of sound and text. Our hypothesis: what can an artist create when they approach text from the ends of sound, and sound from the ends of text? We have…
Antosh Wojcik
Smears & Caresses: The Poetry of Abstract Art
How can abstract art help poets? It makes us look and it makes us think, and it makes us think about our thoughts. It helps to steer us away from pre-existing categories. We cannot glance at it and then say ‘Nice goat’, or ‘Evocative seascape’, or ‘What a lovely cottage!’. Instead, we interact with the…
Peter Hughes
Autumn 2020 – Quick Course Guide
The leaves are green and the sun is still shining, but we’re already looking forward to the Autumn Term here at the Poetry School! Our Autumn Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our…
Poetry School
‘Come to Where I’m From’
‘Come to where I’m from.’ So writes Glyn Maxwell in his masterpiece of place, ‘Birthplace’, from his 2013 collection Pluto. The great energy of the poem, its enormous historic sweep, is a great advertisement for what place can do for a poem – or for what this poet can do for any subject at all….
Jonathan Edwards
Review: ‘Letters Home’ by Jennifer Wong
‘Home’ is a contentious word. Both personal and political, ‘home’ implies belonging, and not belonging. In Robert Frost’s ‘Death of the Hired Man’, ‘Home is the place where, when you have to go there, / They have to take you in’. But is that place where we live, where we were born, where our family…
Heidi Williamson
MA in Writing Poetry Scholarship 2020 Now Open For Entries
We’re delighted to announce that, for the second year running, Newcastle University is offering a scholarship award worth £7,800 (full fees) for an outstanding applicant to the Poetry School / Newcastle MA in Writing Poetry for 2020/21 entry. The Scholarship will be awarded on a competitive basis to applicants who have already accepted an offer of a place for…
Poetry School
Review: ‘WITCH’ by Rebecca Tamás
WITCH is rude, raucous, shocking, intellectually bracing, sophisticated, messy, anti-dogmatic, and sexy. It’s a thrilling, visceral and totally unexpected collection, which redefines the possibilities for poetic language in the twenty-first century. If that sounds like hype to you, get ready to be sucker-punched. The figure of the witch is an eternally potent archetype for many…
Francesca Lisette
Writing the Self: Performance & Sacrifice with Nisha Ramayya
In Indo-European Poetry and Myth, philologist M. L. West traces links between poets and priests in the Indo-European language family, from Old Irish, Welsh, and German, to Greek, Avestan, and Sanskrit. He begins with a simple thesis statement: ‘all peoples at all times have had poetry and song.’ Understanding poetry and poetic language as language…
Nisha Ramayya
Spring 2020 Term Courses Are Now LIVE
We are delighted to announce that our Spring 2020 courses are now UP and BOOKABLE! Below is a quick guide of all of the courses that have opened for booking today. Note: We expect many of our courses to sell out very fast, so make sure to secure your place on your favourite course or courses today!…
Sarala Estruch
‘A Blue and Pink Encounter at the Mall’
COMMENT Jinny Fisher is a psychoanalytic psychotherapist, and was previously a classical violinist. She lives in Somerset and is a member of Juncture 25 and Wells Fountain Poets. She has been been, or is about to be, published in The Interpreter’s House, Under the Radar, Prole and Ink, Sweat and Tears. “I wrote (or…
Jinny Fisher