Poetry Articles
Review – Music for the Dead and Resurrected by Valzhyna Mort
Music for the Dead and Resurrected, which won the International Griffin Prize for Poetry in 2021, is Mort’s third collection. The poems rove and hover over an icy, war-ravaged, politically-damaged Minsk (or ‘the hero-city of Minsk’ as the speaker in ‘Self-Portrait with the Palace of the Republic’ was forced to refer to it as in…
Oluwaseun S. Olayiwola
Stanzas for Ukraine – 17, Anniversary Blog
“Anniversary Blog: Speaking To The Moment” by Stephen Komarnyckyj On 24 February 2022 Kyiv, the capital of Ukraine, was struck by missiles and Russian troops, who had occupied part of the country’s Donbas region and Crimea in 2014, crossing the border. Russian state TV had been flooded with genocidal rhetoric for weeks, with threats to…
Steve Komarnyckyj Stanzas for Ukraine – 16
The Dead Flowers of Forgetting by Iya Kiva, translated from the Ukrainian by Stephen Komarnyckyj I am often asked how I accepted the decision to leave Donetsk. Yes, I know that in Ukrainian the verb has to be ‘approved’, but there was neither approval nor acceptance of the choice I made. I left my home…
Iya Kiva
January Sale!
We’re offering 30% off some of our fantastic Spring Term courses. To brighten the beginning of 2023, we’re offering a 30% discount on selected Spring Term courses. Just use the coupon code JANSALE to access this limited-time offer. Check out the full list of discounted courses below; we can’t wait to begin writing with you this…
Poetry School Stanzas for Ukraine – 14
The ‘Fraternal’ War[1] by Lana Perlulainen, translated from the Ukrainian by Stephen Komarnyckyj. This war wasn’t a surprise for me. I happened to be living with my husband and son in Novosibirsk when the August Putsch of 1991 occurred, followed by the collapse of the unbreakable Union and Ukraine’s Declaration of Independence. Suddenly, Large-State chauvinism…
Lana Perlulainen
Review – Morning Lit: Portals After Alia by Omar Sabbagh
Omar Sabbagh’s Morning Lit: Portals After Alia offers us an extended meditation on early fatherhood, exploring what the poet describes as the ‘transformative distance’ travelled across the ‘entries’ of a relationship with his newborn daughter. Often lyrical, the poems here are also often very down-to-earth, giving us the reality of the early months of fatherhood…
Jonathan Edwards Stanzas for Ukraine – 13
After the Amstor[1] by Alisa Havrylchenko, translated from the Ukrainian by Stephen Komarnyckyj. There will be no war, the two nuclear powers will only pressure each other. That’s what everyone I knew thought right Until February 24. I was preparing for the presentation of my new book, even though the news that airlines were stopping…
Alisa Havrylchenko
Review – Wilder by Jemma Borg
Searching for Wild Connections ‘Poems are records of true risks […] taken by the soul of the speaker,’ writes Jorie Graham[1], but what if a poem speaks with a voice that is not always human, plant or animal, but something broader and wider in scope. How do we recognise that soul? What are the connections…
SK Grout Stanzas for Ukraine – 12
When Spring is Stolen by Varel Lozovyi, translated from the Ukrainian by Stephen Komarnyckyj When spring is stolen from you right on its threshold.When you are waiting for her[1], like a bride, like a long-awaited release from prison, like God’s salvation from the clutches of cold, dank grey winter.And they steal it from you suddenly,…
Varel Lozovyi Stanzas for Ukraine – 11
THE LONG DECOLONIZATION; how, despite the destruction, Ukraine is moving towards the future by Anatoliy Dnistrovyi, translated from the Ukrainian and annotated by Stephen Komarnyckyj THE LONG DECOLONIZATIONhow, despite the destruction, Ukraine is moving towards the future There are three eras in recent Ukrainian history when culture and society have flourished significantly: the twenties and…
Anatoliy Dnistrovyi Stanzas for Ukraine – 10
The Language of Poetry and Losses by Oksana Kutsenko. Translated from the Ukrainian by Stephen Komarnyckyj During wartime the language that people use changes, you can’t argue with that, it’s self-evident. However, turning page after page of the Ukrainian calendar, beginning from February 24, 2022, many details are revealed that are important for the Word…
Oksana Kutsenko Stanzas for Ukraine – 9
It Was As If There Was No Life And No Poetry Before 24 February 2022 by Andrii Kovalenko, Ukrainian poet, novelist, journalist (Kyiv). Translated from the Ukrainian by Stephen Komarnyckyj Six months since the beginning of Moscow’s aggression against Ukraine and our latest war of liberation, life is divided into what came before and after….
Andrii Kovalenko
Review – As She Appears by Shelley Wong, Garden Physic by Sylvia Legris
Shelley Wong’s debut, As She Appears, is a deeply self-aware, courageous, and lyrical collection that weaves together history, humour, and ecological metaphor to explore Wong’s experiences as a queer fourth-generation Chinese American. The tone is conversational but not plain, and the collection’s strength lies not in any attempt on Wong’s part to deploy complex forms…
Maggie Wang
Review – Manorism by Yomi Ṣode and Refractive Africa by Will Alexander
Dazzling Refractions of Light and Dark Art historian Andrew Graham-Dixon writes in his biography of Caravaggio: ‘He had always been an outsider, a troublemaker, a difficult and dangerous man. Yet his art was so compelling, so original, so unforgettable, that people were simply transfixed by it… The fact that he was obliged to invent himself…
Rishi Dastidar
INSPIRATION TO INVOICING
A CPD series for professional & aspiring poets Becoming a freelance poet – whether full- or part-time, alongside employed work – requires a range of business and practical skills, not to mention the actual practice of writing and publishing. These sessions aim to creatively and reflectively unpack these skills, inviting participants to consider their own…
Poetry School Stanzas for Ukraine – 8
A World That Is Still Watching… by Anna Malihon. Translated from the Ukrainian by Stephen Komarnyckyj ‘Everything will start from a small country, from one that no one would have thought of’ she said ‘there will be great changes in the world, at a high price, along with blood and death. However, it will be…
Anna Malihon
Poet as Archaeologist Studio Blog
This autumn, I’m thinking about what poets can learn from archaeologists and their discoveries. Poet as Archaeologist Studio will be a chance to generate new work, read and discuss poems and get feedback on your drafts. It will also be an opportunity to consider how a different discipline might inform our writing. I spent my…
Holly Hopkins
Taking the Piss Flower: on the pitfalls of writing poems inspired by art, and bringing something new to the party
Ekphrasis is one of those poemy words poets assume everyone knows, like villanelle, and pantoum; but my Mac doesn’t recognise it, flags it up, and takes me to Wiki – ‘an ekphrastic poem is a poem inspired or stimulated by a work of art’. I remember feeling so happy when I first discovered the word,…
Claire Collison
The Zen of Ecopoetics: the contribution of Zen to modernist American poetry
In Breathing: Chaos and Poetry, the Italian philosopher Franco Berardi suggests that poetry is the excess of semiotic exchange that goes beyond the limits of language and, by extension, transcends the limits of reality as we know it. In this sense, poetry offers us a way of rethinking our relationship with non-human beings and environments,…
Enaiê Mairê Azambuja
Review – Of Sea by Elizabeth-Jane Burnett, and Thinking With Trees by Jason Allen-Paisant
What is the language of the invertebrate? What form might the invertebrate provide the poet? Elizabeth-Jane Burnett’s Of Sea traces the light shed by bodies alternatively-structured: A ‘Prickly Cockle’ ‘start[s] light’, the coat of an aphid ‘dusts light’ in ‘Lupin Aphid’, a ‘Murky-legged Legionnaire Fly’ provides a ‘blurt of sun’. A note at the start…
Amaan Hyder
Announcing the Poetry School MA in Writing Poetry Scholarship 2023
We’re delighted to announce the Poetry School MA in Writing Poetry Scholarship 2023 for an underrepresented poet. For a second year, Poetry School is offering a full fees scholarship award (£10,000) to the Poetry School / Newcastle University MA in Writing Poetry for an outstanding applicant who is currently underrepresented in the poetry world. By underrepresented poets, we…
Poetry School
Sources of Poetic Language
Imagination, Wonder, and the Everyday The mourning doves are beginning to coo again and yesterday I saw the families of cardinals in the yew, all busy setting up. The past few days were very windy, and we found a fallen nest, the size of a basketball, along the street. It feels as if I am…
Carmen Bugan
Transreading Ethiopia with Chris Beckett
Selam hullu…..Hello everyone! I’ve already blogged about my boyhood in Addis Ababa as an intro for my autumn 2021 course on Childhood: A Source of Praise. So I don’t want to repeat too much of what I said then, but it feels like I’m travelling the same path again! It’s a really great feeling, because…
Chris Beckett
Review – Like a Tree, Walking by Vahni Capildeo
Vahni Capildeo is an astonishingly prolific and inventive poet, and Like a Tree, Walking, showcases the full range of their imagination. The collection begins with a poem ‘In Praise of Birds’, which captures the spirit of the work as a whole: In praise of high-contrast birds, purple bougainvillea thicketing the golden oriole. In praise of…
Maggie Wang
Writing After David Lynch – Students’ Poem
The Writing After David Lynch ten-week course took us all on a thrilling and mysterious journey across David Lynch’s films. As part of the penultimate session, on Mulholland Drive, I invited the students to respond to Naomi Watts’ staggering audition scene with a single four-line stanza, that I would then order and curate into a group poem. I took inspiration…
Chrissy Williams