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Ginkgo Prize for Ecopoetry Open for Entries!
The Poetry School are delighted to announce the Ginkgo Prize for Ecopoetry. The Ginkgo Prize, formerly known as the Resurgence Prize, is a major international award for poems embracing ecological themes. The judges are poet and Poetry School co-founder Mimi Khalvati and another judge soon to be announced. The first prize is £5,000, second prize…
Poetry School
Review: ‘Pamper Me To Hell & Back’ by Hera Lindsay Bird
The review of Hera Lindsay Bird’s pamphlet Pamper Me To Hell & Back that I’d really like to write, my ideal review, would be a long list of the poems’ flaws and failings, a whole bunch of intellectual and even occasionally personal criticism, and then at the end there’d be a very large, badly lit…
Joey Connolly
Review: ‘A Perfect Mirror’ by Sarah Corbett
Exploring themes of location and dislocation, Sarah Corbett’s A Perfect Mirror (Liverpool University Press) finds connections in unlikely spaces, refracting global concerns through local attachments. This short collection finds its genius loci in the landscapes of West Yorkshire and the English Lake District, but its thematic concerns are much broader: seeking to create resonances with both…
Jake Morris-Campbell
Review: ‘City of Bones: A Testament’ by Kwame Dawes
I read City of Bones (Northwestern University Press), over 200 pages of poems, in one sitting. I was completely held by this heart-full incantation, this uncompromising, philosophical and allusive series of narrative, lyrical and elegiac poems that ventriloquise the ‘multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming about the African diasporic present and future.’…
Kay Syrad
Review: ‘An Ocean of Static’ by J.R. Carpenter
In between the billows of foaming brine, tucked away behind stacks of salt, lurks the pearl of a poetic endeavour completely unlike any other. An Ocean of Static (Penned in the Margins) is the debut collection by digital writer J.R. Carpenter, whose cryptic stream of ever-shifting code spectacularly reinvents the seascape. From the late 15th century…
Jade Cuttle
Primers: Volume Four Mentoring and Publication Scheme Open for Entries
The Poetry School and Nine Arches Press are excited to announce that Primers Volume Four is now open for entries. Primers is an annual mentoring and publication scheme organised by the Poetry School and Nine Arches Press. It provides a unique opportunity for talented poets to find publication and receive a programme of supportive feedback,…
Poetry School
’17 Forensic Ways I Know You’
D18S51, There is no-one like you. There is a 1 in a quintillion chance of there being someone like you, but still not you. I would know, with every sense I would know D21S11, I could pick the bouquet of your sweaty t-shirt from a line-up of sweaty t-shirts D3S1358, Who else would naturally select…
Ginny Saunders
What is a Metic Poet?
The question most writers ask me at the beginning of a Metics workshop is ‘What is a Metic?’. The simple answer usually is: You are! A fish does not know it’s a fish until it leaves the water. The term ‘Metic’ means a foreigner whose allegiances are split between their homeland and their new country. Metic is a Greek word, which we might…
Nick Makoha
Review: ‘The White Book’ by Han Kang (trans. Deborah Smith)
This new book in English from South Korean writer Han Kang may be hard to categorise but it does have a story, which should reassure anyone worried that a text on the colour white (or non-colour white, depending on how you look at it) will be insubstantial. As it turns out, this diary-cum-sketchbook may be…
Humphrey Astley
‘The Specular City’
The city caught me in strings of orange light. I left behind those still and airless years in which counting each slow hour of suburban dark I sat, wanting my life to take new shape. And so many silences, and the glances of strangers – cold weights on the skin I struggled beneath. Neons, night…
Swithun Cooper
Ledbury Emerging Critics: Dzifa Benson reviews ‘Natural Phenomena’ by Meryl Pugh
Meryl Pugh is the award-winning author of two previous pamphlets, Relinquish and The Bridle, but Natural Phenomena (Penned in the Margins), her eagerly anticipated first full poetry collection, opens up new ground in the poet’s oeuvre. In the blurb, Pugh is described as “both futurist and flâneuse.” The future and society’s relationship to consumerism concern…
Dzifa Benson
‘How to go home’
Drive back to the house where you were born. Open her old cookbook, press your fingers onto her pen’s scrawl. Take tweezers: tease a hair from your old doll’s clothes. Play a hymn, its melody clear as light
Rosemary Appleton
‘Being a true account of the voyage of Vincenzo Lunardi’
Fire Late September morning, and a chill in the Edinburgh air, but the gathering crowds are warm with wonder, and the ladies feverish for the hot-blooded adventurer – the man who knows how to fly. Thirty bottles of oil of vitriol into a vat of iron filings, and the limp sack of silk expands and…
Beverley Casebow
Ledbury Emerging Critics: Jennifer Lee Tsai reviews ‘Three Poems’ by Hannah Sullivan
Within the context of contemporary poetry and modern poetic form, how does one begin to describe or characterise ‘free verse’? As an academic, Hannah Sullivan’s critical exploration of this question is evident in her stated research interests. She argues that ‘the prosody of modern poetry is, to a large extent, determined by practices of lexical…
Jennifer Lee Tsai
‘Fairy Tales and Stepmonsters’
I wish I’d held your hand more often. it would have been easy. I wish I’d worried less and made a nest of my fingers for it to curl inside, it used to slip into mine anyway. Do you remember the models we made out of cardboard and paper? Rockets and market stalls and castles…
Ilse Pedler
Talking Back: Poetry, Dialogue and Voice
In her 2017 collection Stranger Baby, Emily Berry stages a dialogue between voices living and dead, a sort of haunted (and haunting) psychodrama, both intimate and fiercely private: “I wish you would put some kind of distortion on my voice,” says the speaker in ‘The End’, “so people don’t know it’s me.” This is poetry…
Kate Potts
‘Emma’s Attitudes’
“She is better than anything in Nature. In her particular way she is finer than anything that is to be found in antique art.” Sir William Hamilton Arachne Nursemaid, barmaid, perched on the Flintshire front stoop, weaving Bacchante Dancing at the Temple of Health and Hymen; atop Sir Harry’s table, deliciously displayed Circe John…
Anna Amo
Review: ‘A Watchful Astronomy’ by Paul Deaton
The title of Paul Deaton’s powerful first full collection, A Watchful Astronomy, might strike the reader initially as something of a tautology – surely all astronomy is about keeping a vigilant eye trained on the night sky? Deaton’s approach is to look down the other end of the telescope at the minutiae of our earthly…
Richie McCaffery
The Opposite House: But We Never Go In That Room!
[T]he borders of our minds are ever shifting, and…many minds can flow into one another, as it were, and create or reveal a single mind, a single energy. from ‘On Magic’ by W. B. Yeats. Childhood is a time when our brains are, as Yeats states, ‘ever shifting’. We are laying the…
Sarah Byrne
Ledbury Emerging Critics: Srishti Krishnamoorthy-Cavell reviews ‘Don’t Call Us Dead’ by Danez Smith
Danez Smith’s Don’t Call Us Dead (Chatto & Windus) interrogates the present, exhumes histories and dares to imagine a future poised in anger, grace and freedom. It is unapologetic in its scope and tender in its pain. The politics is searing and the language hauntingly beautiful; Smith’s is a craft of lacerating precision. This collection is…
Srishti Krishnamoorthy-Cavell
Ledbury Emerging Critics: Mary Jean Chan reviews ‘Shrines of Upper Austria’ by Phoebe Power
As one of the four Poetry Book Society Spring 2018 Recommendations, Phoebe Power’s debut collection Shrines of Upper Austria (Carcanet Press, 2018) sings with a variety of different notes, ranging from the gruesome details of an Austrian murder case to a moving sequence written in the voice of Power’s Austrian grandmother, Christl, who left for…
Mary Jean Chan
Fully Automated Radical Pessimism
Some of my favorite books to teach are dystopian, like George Orwell’s 1984, M.T Anderson’s Feed, Lois Lowry’s The Giver, and Emily St. John Mandel’s Station Eleven. All of these books inform my work, but especially Station Eleven. In the book, Mandel asks the question: what would survive in the end of the world? Shakespeare…
Leah Umansky
Ledbury Emerging Critics: Jade Cuttle Reviews ‘Asylum’ by Sean Borodale
A landscape of stone has never been so alive as in Sean Borodale’s Asylum (Penguin): freckled with bones that refute their own burial, and feed off ‘the flesh of the shade’ as though trying to grow back their bodies, these poems are brimming with life in unexpected places. The inspiration for this book was mined…
Jade Cuttle
NaPoWriMo 2018 with the Poetry School
Get writing with The Poetry School for National Poetry Writing Month 2018. Join our free Campus group for NaPoWriMo and receive a writing prompt every morning, share your poems, and swap feedback with fellow poets. Last year, nearly 600 poets took part, and thousands of new poems were brought into the world. All you have to do to is join the group. Invite your friends!
Poetry School
Ledbury Emerging Critics: Maryam Hessavi Reviews ‘Spoils’ by James Brookes
Get Google ready – you’ll need it… James Brookes has published his second collection of poetry, Spoils (Offord Road Books): a geographical and linguistic excavation of historical and present-day England. These are poems which find their land most fervently on a linguistic plane, in a passionate engagement with the language through which the material reality of…
Maryam Hessavi