featured Articles
Poetry and the Brain: an interview with Helen Mort
An Interview with Helen Mort
Hi Helen! Tell us about your upcoming course, ‘Poetry and the Brain’. It seems a far cry from Division Street… Helen: For the past three years, I’ve been studying for a PhD at the University of Sheffield, thinking about whether neuroscience and contemporary poetry might have anything interesting to say to each other. It turns…
Will Barrett (Poetry School)
‘The Poetry of Money’
Check down the back of your sofa for coins, what do you find? Coppers, shrapnel, cents, francs and thrupenny bits? Your handful of change could be the basis for a handful of new poems – The Poetry of Money is a forthcoming workshop with Claire Crowther. Claire is the current poet in residence at the…
Julia Bird (Poetry School Staff)
New Year’s Poetry Resolutions
Dear CAMPUS poets, Happy New Year! I hope you all had a restful holiday break. Sadly, my glacier glasses have been packed away, the reading specs are on, and I am now safely ensconced back in our pleasingly overheated offices. It’s not all grey skies and back-to-work, however – we’ve got lots of terribly exciting things…
Will Barrett (Poetry School)
Open Workshop: ‘Beyond English – Poems in Constructed Languages’ with Harry Giles
Nadsat, Riddleyspeak, Klingon, Zaum, Lapine, Newspeak: what happens when we take a hammer and nails to language? What happens when we break a language apart, or try to start a new one? Constructed words and languages can be for play and imagination, like Lewis Carroll’s Jabberwocky, and they can be part of a broader political…
Poetry School
‘Their letters’
1st May 1610 Her letter is pressed from flour-damp breast to Judas-hand Joanna, hides in spinster folds to pass the Hall, makes its way first to lips then nose, Peter eager for the hard-worked scent of her, his Rose with lush, wide petals and soft sticky buds, last pinched and tipped on Hollyn Hill St…
Di SlaneyWhere It Begins: an interview with Nii Ayikwei Parkes
An Interview with Nii Ayikwei Parkes
Where does a poem begin? How does a poem not exist and then suddenly, miraculously flare into life? This Summer, poet, novelist and editor Nii Ayikwei Parkes will be unpacking what it means to think like a poet. In his new online course, Where It Begins – a course for new poets, Nii will be…
Will Barrett (Poetry School)
New Definitions and Neologisms: the Poetry of Dictionaries
Retiring to the canopy of the bedroom, turning on the bedside light, taking the big dictionary to bed, clutching the unabridged bulk, heavy with the weight of all the meanings between these covers, smoothing the thin sheets, thick with accented syllables—all are exercises in the conscious regimen of dreamers, who toss words on their tongues…
Kate Potts
YOU, The Movie – Horror, Western, Romance, Noir and Disaster Poetry
How many films have you watched? Ten? A hundred? I imagine the figure is likely to be in the thousands. All those Sunday afternoon matinees, those trips to the cinema, the Shakespeare remakes shown in class, the teatime classics, the 10pm premieres, and the hours spent on Netflix binges certainly add up. I bet you…
John Challis
Where The Heart Is: Notes From A Residency with Age Concern
Being a poet in residence is normally a really fun gig. Be it a virtual or physical residency, you usually find yourself in an interesting and unfamiliar environment. You’re given protected time to write; you get to meet new people; you might get to see inside an institution or organisation that is normally closed to…
Sarah Hesketh
How I Did It: ‘Sow’
Like many of the poems in Black Country, it took a long time for ‘Sow’ to travel from its first notes to its final form. It began as a scribbled note in my diary in May 2010. I was walking along Highgate Tube platform in a new pair of black boots and, hearing them trip-trapping,…
Liz Berry
Re-writing the Map
Maps, like poems, can mean different things to different people. If I were to draw a map of my neighbourhood I might include completely different things to my neighbours, or the lady in the flat upstairs. I would be sure to include the homes of the friendlier local cats, the house with the boarded-up windows,…
Suzannah Evans
Queer Poetics for Non-Queers (or On Exclusivity in Identity Politics)
Queer Poetics II In my last post about queer poetics, I said, “In celebrating queer poets, I don’t think that straight poets should feel that I’m not talking to them”—but I’m not sure that I did a sufficient job of explaining what the value of “minority” poetics might be. Indeed, a wise reader called me…
Jason Schneiderman
Open Workshop: ‘Crimes and Misdemeanours’
Think of all the rules you’ve heard in poetry workshops: Show don’t tell. Be more concise. Restrain your use of adverbs and adjectives. On this Open Workshop with Kathryn Maris, you’ll be ripping up the workshop rulebook with a roguish disregard for good taste and ‘respectable’ writing. With the help of a step-by-step assignment devised by…
Poetry School
‘Object Waiting’
COMMENT Natasha Flaw (aka Natalie Shaw) features in Ink, Sweat & Tears, Antiphon, Butcher’s Dog and Prole, amongst others. She can also be found at http://natalieshawpoems.wordpress.com. ‘Object Waiting’ was written in response to Richard Osmond’s Open Workshop ‘Written in Juice of Lemon’, where students were challenged to write a poem designed to be published, broadcast…
Natalie Shaw
Open Workshop: ‘Mosaics from the Broken Mirror – Writing and Revising the Ghazal’
The ghazal makes unique rhetorical demands on the Western writer. In our latest Open Workshop, Jason Schneiderman will be getting you to think through your ghazals and to explore the multiple ways to revise these modular poems. Do you enjoy finding a hand-crafted wooden puzzle in your Christmas stocking more than a satsuma? Prefer origami…
Poetry School
Poetry & Multimedia I
A recent trend in UK poetry is what I might call ‘multimedia projects’ or ‘live literature,’ a development that interests me for several reasons. Like many poets, I have a love-hate relationship with poetry readings. As an audience member, I find that some readings can feel electric or even transcendent. But others can be dull,…
Kathryn Maris
Queer Poetics I
Poetry has always been the province of the consummate insider and the total outsider—a dichotomous split between the institutionalized John Clare types and the silver spoon James Merrill’s. The origin myth of poetry in English is of a literal outsider. Poor Caedmon is so embarrassed to have no songs to sing that he goes out…
Jason Schneiderman
‘Dream On: Waking Up Your Poems with the Phantasmagoric’
So with one bound, Jack was free … and he woke up to find it had all been a dream. But when do you wake from the book of the dream, shrug it off with a cold shower, a shot of black coffee? There can be no forgetting; even after the fire the archives…
Ben Wilkinson
‘No laughs please, we’re poets – can comic poetry be good poetry?’
I can vividly remember the first time I read a poem in public. It was at a writing workshop at the University of Warwick, full of earnest young women and men who sat around in the cafeteria between lectures dressed in black, discussing the work of the Modernists and stroking their beautiful chins. We’d been…
Jonathan Edwards
Poetic Attention II: In Praise of Snapshots
When I was in Best American Poetry 2005, there were a number of complaints in the blogosphere about how very New York-centric the issue was. The concern—probably a justified concern—was that the New York poetry scene is too insular and self-congratulatory. Interestingly, the guest editor was Paul Muldoon. An Irishman who teaches at Princeton (New…
Jason Schneiderman
How I Did It: ‘Burnt Rose’
I wrote ‘Burnt Rose’ in Newsham Park in Liverpool, on a nature-spotting walk with my son. Sometimes we take our notebooks to the park, along with a football and some snacks, and write down — or draw pictures of — what we see. That day we found, under a tree, a rose that had been burned: it was…
Chris McCabe
Poetic Attention I
In Tom Stoppard’s play Indian Ink, the heroine Flora Crewe arrives in the Indian city of Jummapur in the 1930s to give a lecture on literary life in London. Flora Crewe is a poet, and when she arrives at the British club, one of the older members extols the virtues of Kipling, and quotes a…
Jason Schneiderman
Bob
In defence of the sestina: part 4 Here is an incorrect story I tell. My story is that Jonah Winter’s ‘Sestina: Bob’ appeared alongside my poem ‘Ophthalmology at Dawn’ in an issue of Ploughshares. ‘Sestina: Bob’ was literally across the page from my poem, I tell people. It was literally sneering at my poem, exposing…
Kathryn Maris
Live Q&A with Mark Doty: ‘Queer Poetics’
This 5 December 2014, one of the mega-giants of American poetry, Mark Doty, will be live on CAMPUS and in conversation with Digital Poet in Residence, Jason Schneiderman. Mark Doty was the first American poet to win the British T.S. Eliot Prize. One of the most important authors to write about HIV/AIDS in America, Doty’s vision…
Will Barrett (Poetry School)
Poetry Matters
You can’t hurt poetry. You can write bad poems, but that will not hurt poetry. You can like bad poems and you can dislike good poems, and you will still not hurt poetry. You can even write bad reviews of good books and good reviews of bad books, but even then, you will not have…
Jason Schneiderman