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How Poetry Burns
I had just turned 18 when I moved out of my childhood home and into an apartment with my boyfriend. Although I hoped my young relationship would last, there was something in me that said my treasured objects would be safer at home. Built by my grandfather for my grandmother after World War II, it…
Christina Thatcher
Memory, History, Loss, & Gains
If, like me, you believe that uncovering untold histories – whether personal, familial, or national – is important, and a vital part of the poet’s work, then join me for a day of reading and discussing poets who do just that. A few months ago, I was in a workshop with Bernardine Evaristo and the…
Sarala Estruch
A Far-Off Land: Finding More Folklore
In the west, epic myths, remnants of religions past, are revered, re-translated and researched, but folktales and fairy tales are often written off as children’s stories. Scrappy, grisly, lowbrow and deceptively simple, many of them do indeed serve as warnings to children: don’t wander alone in the woods, boast or steal. But these stories, passed…
Kirsten Irving
Review: ‘Reckless Paper Birds’ by John McCullough
To understand the weight of being bodied, All the swollen and tender exchanges That ground me here among the living (‘A Floating Head’) There is a powerful sense of tension between body and soul in John McCullough’s absorbing third collection, Reckless Paper Birds. The human body and brain can be a prison; they are both…
Maria Taylor
Review: ‘Handling Stolen Goods’ by Degna Stone
Interrogating the prejudice of race and class, Degna Stone’s spellbinding third pamphlet, Handling Stolen Goods (Peepal Tree Press), reveals a disturbing bond between the body and the world around it, and strives to break this down through bold, determined struggle. Whilst human interactions stand at the heart of Stone’s poems (‘We spend our time having…
Jade Cuttle
Review: ‘Rock, Paper, Scissors’ by Richard Osmond
Richard Osmond’s Rock, Paper, Scissors is a collection wherein violence and trauma has disrupted the social fabric to the extent that reality becomes a game of signs. Like the trickster of myths and fables, this collection undermines authority and convention. The three principle signs of this collection are excerpts from Beowulf, Qur’ānic extracts and Osmond’s…
Zakia Carpenter-Hall
Review: ‘Girlhood’ by Julia Copus
There is a theory in earth sciences known as the Gaia Hypothesis that propounds that the earth and everything upon it (though, crucially, perhaps not including ‘us’) acts as a synergetic, self-regulating organism. The idea being that the earth acts as its own immune system, but also as its own ‘reset’, so to speak. Dangers…
Patrick Davidson Roberts
Twisted Love
In one of his Lunch Poems, Frank O’Hara describes reading the poetry of a new friend. Is this love? he asks, sounding uncertain. He feels held in the hands of the poem, experiencing poetry as a form of intimacy or attempted intimacy. This course came about because I realised, simply, that the love poem –…
Becky Varley-Winter
A Song for Occupations: In Praise of Work
What shall we do with work? Curse it, hate it, make escape plans from it, call in sick to it, write apologetic e-mails to it, still we find, every morning, we have to do it. And more than that, work does things to us: decides what time we’ll rise, how well we sleep, the folk…
Jonathan Edwards
General Impression of Size and Shape: Poetry & Birds
I grew up with birds. And what I really mean there is, I grew up with a birdwatcher father who liked to tell us what every bird was, and how you might distinguish it from any other bird. From an early age I was watching birds on the bird feeder in the garden, delighting in…
Suzannah Evans
Review: ‘Significant Other’ by Isabel Galleymore
Isabel Galleymore’s debut collection, Significant Other (Carcanet) is a vividly detailed poetic chronicle of some of the world’s most fascinating species. The first poet-in-residence at Tambopata Research Centre in the Amazon Rainforest, Galleymore forages with wide-eyed fascination in search of new poetic ground. Underpinned by the desire to discover new ways of describing the natural…
Jade Cuttle
Adrian Street, The Early Years
I was fighting for my life even before I was born, nearly strangled at birth by my umbilical cord. By four I was re-enacting Little Bighorn, hunting Custer through the hills of Gwent, while Dad was hunted through Singapore by the Japanese. I gathered pieces of downed German bombers to build my own plane and…
Ben Rhys Palmer
Psycho Gastro Studio
When I told a friend of mine I was going to be tutoring a course titled Psycho Gastro Studio, they asked me what that actually meant. In response I started telling the following story from my life: Many years ago I was on a bus from Leeds, where I had been visiting family, down to…
Sean Wai Keung
Narrow Road, Deep North
The first time I felt Northern was at the Students’ Union bar of the University of Chester. I’d recently moved there from South Shields and was taken aback when the barman couldn’t understand my order. ‘Do you mean Coors?’ ‘Aye, pint of Coors, please.’ There are two syllables in that particular brand of lager: coo-aaz….
Jake Morris-Campbell
Queereading
Robin Morgan started her Lesbian Poem with a dedication to everyone who had turned to that poem first in the Contents page of her Monster chapbook. I’d done exactly that, of course. I was hungry. Hungry for anything I could get my hands on to read with a hint of a non-heteronormative narrative or some…
Maria Jastrzebska
You are here.
Whoever you are, wherever you are, no matter who writes it, no matter how many times you read it, these words are always true. You are here, wherever that is. So, if you are here, where am I? Here, supposedly. But then, I’m also somewhere else, somewhen else, writing this. Are we here? As people,…
Cat Woodward
Concessions & Bursaries – new rates from Autumn 2019
Can’t afford the full price of one of our courses? Don’t despair – there are options available. Please note: that you may be required to provide proof of eligibility for our concessionary rates. Discounts do not apply to our one-to-one programme or travelling workshops. Give us a call in the office (020 7582 1679) to…
Will Barrett (Poetry School)
Review: ‘Deaf Republic’ by Ilya Kaminsky
Ilya Kaminsky’s Deaf Republic — framed as a two-act play — takes the reader into a country whose characters move constantly from one stage to another: from the public stage of an occupied town in a time of political unrest, via a local puppet theatre, to that of one’s own home. The first poem of…
Stav Poleg
Inter-review: Maria Apichella speaks to Keiran Goddard about ‘Votive’
The poems in Keiran Goddard’s new collection Votive (Offord Road Books) ‘look painful things in the face and tell the truth about how much they hurt’. This anguished and beautiful book charts the rise and fall of a turbulent romantic relationship, ultimately exploring how to let go of someone you love. While eschewing an obvious narrative, there…
Maria Apichella
Summer School 2019
Our 2019 Summer School is here! This boiling summer we’ve teamed up with hot experimental indie Boiler House Press to present a scorching line-up of half-day workshops. Put a towel down and reserve your place. Monday 15 July Hydro Lyric: Water & the Self in Contemporary Poetry with Samantha Walton What does it mean to…
Poetry School
Review: ‘The Fall at Home: New and Collected Aphorisms’ by Don Paterson
Aphorisms are not poems. But the way in which they may or may not resemble poems might tell us something about poetry. The hope is they will tell us other things too. As a poet and critic many of Don Paterson’s aphorisms in The Fall at Home tell us about poems and poets. For instance:…
Jeremy Wikeley
Review: ‘Wain: LGBT Reimaginings of Scottish Folklore’ by Rachel Plummer
Scottish literature of the 20th century particularly is well-known for its humanism and pluralism. You just need to think of the likes of folklorist and poet Hamish Henderson, himself a bisexual man, arguing that poetry and song could help heal divided communities and societies. His most famous song ‘The Freedom Come All Ye’ is an…
Richie McCaffery
‘Trace’
after a map of the Arabian Peninsula from Al Idrisi’s Kitab Rujar, 1154 I hardly recognise you, naked & nameless, a green path, vital as a vein snaking its way up to ard al iemama. In early spring, desert thistles align themselves with the stars, a trail of crumbs for a camel caravan….
Rasha Al Duwaisan
The Decisive Moment
‘The real prayers are not the words, but the attention that comes first’ says Mary Oliver in her poem of the same title. Oliver’s detailed exploration of a hawk’s tumultuous flight essentially pays homage to a moment of perception. She leaves out no detail and describes the specificity of the moment with deep respect. Tied…
Remi Graves
Review: ‘Girl’ by Rebecca Goss
Rebecca Goss’s Girl (Carcanet) is concerned with the magic of girlhood and womanhood. The poems consider womanhood’s slow, hushed power, especially how it is inherited, bestowed, understood, and refigured throughout life. In ‘Lightning’, this power is manifested as a natural force that ‘split[s] a tree’, and then trips ‘across a barbed wire fence’ to the…
Jenna Clake