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Concessions & Bursaries – new rates from Autumn 2019
Can’t afford the full price of one of our courses? Don’t despair – there are options available. Please note: that you may be required to provide proof of eligibility for our concessionary rates. Discounts do not apply to our one-to-one programme or travelling workshops. Give us a call in the office (020 7582 1679) to…
Will Barrett (Poetry School)
Review: ‘Deaf Republic’ by Ilya Kaminsky
Ilya Kaminsky’s Deaf Republic — framed as a two-act play — takes the reader into a country whose characters move constantly from one stage to another: from the public stage of an occupied town in a time of political unrest, via a local puppet theatre, to that of one’s own home. The first poem of…
Stav Poleg
Inter-review: Maria Apichella speaks to Keiran Goddard about ‘Votive’
The poems in Keiran Goddard’s new collection Votive (Offord Road Books) ‘look painful things in the face and tell the truth about how much they hurt’. This anguished and beautiful book charts the rise and fall of a turbulent romantic relationship, ultimately exploring how to let go of someone you love. While eschewing an obvious narrative, there…
Maria Apichella
Summer School 2019
Our 2019 Summer School is here! This boiling summer we’ve teamed up with hot experimental indie Boiler House Press to present a scorching line-up of half-day workshops. Put a towel down and reserve your place. Monday 15 July Hydro Lyric: Water & the Self in Contemporary Poetry with Samantha Walton What does it mean to…
Poetry School
Review: ‘The Fall at Home: New and Collected Aphorisms’ by Don Paterson
Aphorisms are not poems. But the way in which they may or may not resemble poems might tell us something about poetry. The hope is they will tell us other things too. As a poet and critic many of Don Paterson’s aphorisms in The Fall at Home tell us about poems and poets. For instance:…
Jeremy Wikeley
Review: ‘Wain: LGBT Reimaginings of Scottish Folklore’ by Rachel Plummer
Scottish literature of the 20th century particularly is well-known for its humanism and pluralism. You just need to think of the likes of folklorist and poet Hamish Henderson, himself a bisexual man, arguing that poetry and song could help heal divided communities and societies. His most famous song ‘The Freedom Come All Ye’ is an…
Richie McCaffery
‘Trace’
after a map of the Arabian Peninsula from Al Idrisi’s Kitab Rujar, 1154 I hardly recognise you, naked & nameless, a green path, vital as a vein snaking its way up to ard al iemama. In early spring, desert thistles align themselves with the stars, a trail of crumbs for a camel caravan….
Rasha Al Duwaisan
The Decisive Moment
‘The real prayers are not the words, but the attention that comes first’ says Mary Oliver in her poem of the same title. Oliver’s detailed exploration of a hawk’s tumultuous flight essentially pays homage to a moment of perception. She leaves out no detail and describes the specificity of the moment with deep respect. Tied…
Remi Graves
Review: ‘Girl’ by Rebecca Goss
Rebecca Goss’s Girl (Carcanet) is concerned with the magic of girlhood and womanhood. The poems consider womanhood’s slow, hushed power, especially how it is inherited, bestowed, understood, and refigured throughout life. In ‘Lightning’, this power is manifested as a natural force that ‘split[s] a tree’, and then trips ‘across a barbed wire fence’ to the…
Jenna Clake
‘Sakura, Sakura’
Aboard a plane before sunrise you find yourself flying over a field of fluff, a hilly country of cumulus clouds, when the alpenglow of March flows in, flooding the cabin, and you’re seven again. It’s only a week since grandmother died. There’s mud beneath your nails. Your fingertips iridesce with the scales of the goldfish…
Mason Jabbari
Divine Messengers
Lucy Mercer writes for the Poetry School blog ahead of Divine Messengers, her weekend workshop on the literary use of dreams and the unconscious. Dreams! What interests me most about dreams is that they present worlds that are different but adjacent – and sometimes overlapping – with ours: imaginary inter-worlds, what the philosopher Henry Corbin…
Lucy Mercer
Review: ‘In Search of Equilibrium’ by Theresa Lola
In Search of Equilibrium (Nine Arches Press) is a deeply felt response to grief and a closely observed portrait of family, heartbreak, survival, and the evolution of personhood. Trauma is a peculiar thing. Once the immediate shock of a traumatic event or episode subsides, the world becomes a different place. For those who survive, death…
Niroshini
Ginkgo Prize 2019 Open for Entries!
The Ginkgo Prize for Ecopoetry, the biggest international prize for ecological, environmental and climate-concerned poetry, is now open and calling for entries from poets around the world competing to win £5,000 (first prize), £2,000 (2nd prize) or £1,000 (3rd prize). Organised by the Poetry School, and judged by award-winning Mexican poet, activist, diplomat and former president of International PEN Homero Aridjis, alongside…
Poetry School
The Big Issues
I began thinking about writing this blog on the day of the mass murder of Muslims in New Zealand. Just how do you begin to respond as a poet to something like this? And in the UK, and around the world, there have been similar atrocities. We’re in this mess of seemingly endless Brexit, with…
Katrina Naomi
‘Phone Call Home from my Daughter in Chiscani, Christmas Eve 2018’
Why I want to write about the pig’s head hanging from a branch in the yard, the cat that was beaten for killing a bird, the man who one night lay down on the track, or the dog you found frozen to death in the snow, I don’t know. Perhaps it’s because of our paths:…
Maggie Sawkins
‘river’
The river is a dark bone, a long narrow forearmwith direction which makes an ease of sorts. The river is a soil-dark bone full of the small, the odd,all the names it wasbefore it was river, all the names. Plucky light flips the surface,larvae hold firm, jellied and hard.Mouths open in the reed beds,longest, oldest…
Sarah Westcott
Review: ‘Small Inheritances’ by Belinda Zhawi
Belinda Zhawi’s debut pamphlet, Small Inheritances (Ignition), maps out the spaces where the speaker has lived, tracing a way back through the ‘dregs of south east london’ to a childhood in Zimbabwe. The first section, set in Thamesmead and Peckham and titled ‘small inconveniences’, re-maps the streets and estates to reveal the struggles and longings of…
Danne Jobin
Pub Chats: clinic
In today’s Pub Chat, we’re joined by Andy Parkes, Poetry School Programme Manager and, alongside Rachael Allen and Sam Buchan-Watts, editor at trendsetting independent arts platform clinic. Hello there! What are you drinking? A pint of Guinness, in nostalgia for clinic’s early days as a workshop group in a noisy Irish pub in South East…
Poetry School
Poetry of Parenting Playlist: Thirteen For Now
Fiona Benson, author of the brilliant Vertigo & Ghost, and tutor of the Poetry School course Writing Childhood, Writing Parenthood, presents an unmissable Poetry of Parenting Playlist. (1) Kathleen Jamie, ‘Ultrasound’ This gorgeous, unsurpassable sequence in Jizzen (Picador, London: 1999) travels from ultrasound (‘Second sight / a seer’s mothy flicker, an inner sprite’) through the ‘difficult giving’ to ‘the first…
Fiona Benson
Announcing the MA in Writing Poetry Scholarship
We’re delighted to announce that Newcastle University is offering a scholarship award for 2019 entry worth £7,400 (full fees) for an outstanding applicant to the Poetry School / Newcastle MA in Writing Poetry. The Scholarship will be awarded on a competitive basis to applicants who have already accepted an offer of a place for 2019/20 entry…
Poetry School
Review: ‘Rabbit’ by Sophie Robinson
Rabbit (Boiler House) deals with the struggle to connect in a globalised, social-media age, where our language is overwhelmed by the clichés of celebrities and advertisements, and our conception of friendship, success and love is as a shallow performance. The fierce, plaintive, stylish poems in Rabbit are about the experience of unbelonging and being distanced…
Rosanna Hildyard
‘A great, dark, soft thing’
The day passes and, though not for lack of trying, no words come. It grows dark; I tire with the sun and go to bed. As soon as I have turned out the lights, however, words begin to string themselves together like fairy lights across my mind. They are late – I expected them hours…
Anna Veprinska
Self, Place, World
Ahead of his monthly course in Birmingham, the city’s poet laureate Richard O’Brien writes about the concentric circles of ‘self’, ‘place’ and ‘world’. Poetry is always a kind of dialogue between the internal and the external. We write out of, if not necessarily ‘about’ in a confessional sense, our personal lived experience of reality —…
Richard O'Brien
Review: ‘The Built Moment’ by Lavinia Greenlaw
Lavinia Greenlaw’s The Built Moment (Faber) grapples with the slipperiness of time, memory, loss and the downwards slope of her father’s dementia. In two neat sequences, these poems gather together the loose, unruly strands of the aging self, along with the grieving observer, and spin them into something beautiful. The first sequence of poems, ‘The…
Jade Cuttle
Review: ‘The Gaelic Garden of the Dead’ by MacGillivray
Each new MacGillivray collection should be welcomed for its far-out linguistic verve, spiky music and intellectual dynamism. There are few poets writing today as utterly sui generis in their style – like poets of the British Poetry Revival (and I’m thinking particularly of Barry MacSweeney and his Book of Demons) all we can do as…
Richie McCaffery