Don your favourite whimple and explore dragon-slaying, courtly romance and fabliau with neo-medievalist Tom Chivers
From Game of Thrones to The Last Kingdom, the medieval age has never been so popular. Its rich literary tradition still speaks to us across the centuries, tackling subjects as diverse as dragon-slaying, courtly romance, social climbers and the ultimate quest for truth. If you know a wimple from a whale-road – or would like to – join poet, publisher and neo-medievalist Tom Chivers on a journey into the earliest poetry in English. Using as a starting point the visionary 14th century epic Piers Plowman – which Tom is currently adapting for a major site-specific performance in the summer – students will have the chance to explore Old and Middle English texts, both in the original and translation, generating re-tellings of the classic stories and new creative material in response. Refresh your word-hoard as we take a closer look at Beowulf, Chaucer, Gawain and Pearl, as well as modern adaptations by Seamus Heaney, Simon Armitage, Patience Agbabi and Barry MacSweeney. As well as ‘straight’ translation, we will draw on the experimental techniques of Caroline Bergvall, Steve Ely and Paul Kingsnorth, using invented dialect, cod language, collage and corrupt spelling to capture the strange, mesmerising slippage between the medieval world and our own. In association with Fair Field/Penned in the Margins.
5 fortnightly sessions over 10 weeks. No live chats. Suitable for UK & International students.
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About Tom Chivers View Profile
Tom Chivers was born in south London in 1983 and studied Medieval English Language & Literature at St Anne’s College, Oxford. His poetry publications include How to Build a City (Salt, 2009), The Terrors (Nine Arches, 2009), Flood Drain (Annexe, 2014) and, as editor, the award-winning anthology Adventures in Form (Penned in the Margins, 2012). His latest collection, Dark Islands, was published in a limited edition by Test Centre in 2015. Tom has made perambulatory, site-specific and audio work for organisations such as LIFT Festival, Cape Farewell, Humber Mouth Literature Festival and the Southbank Centre. In 2011 his poem ‘The Event’ was turned into an animated film by Julia Pott and broadcast by Channel 4; it has subsequently been screened at film festivals worldwide and viewed over 100,000 times online. Tom is currently writing a non-fiction book entitled London Clay: Journeys into the Deep City. Tom is director of Penned in the Margins – a multi-award-winning arts producing company that makes new work for performance and the page. Over the last ten years he has published over 60 books of poetry, fiction and literary non-fiction, and has commissioned and produced a range of theatre show that have toured nationally and internationally to venues including the Southbank Centre, the Sage Gateshead and NCPA Mumbai. He is former co-director of London Word Festival, and lives in Rotherhithe with his wife and daughter.
Courses at the Poetry School have enriched my life, providing many links with all sorts of other people engaged in the same processes of trying to write poetry. They have provided continuous challenge and stimulation to keep going. Not to mention encouragement! Also a constant standard of excellence in the tutors and many others has proved to be an anchor.