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Review – The Voice of Sheila Chandra by Kazim Ali
Kazim Ali’s body of work revitalises how we, as readers, perceive history, narrative, and the lyric. His innovations are captivating, encompassing multiple genres, and swiftly entwining poetry and prose, dramatisation and autobiography. I was especially struck by this a few years ago, when first reading Bright Felon: Autobiography and Cities (2012), an earlier collection that challenges any particular notion or expectation of genre; a collection…
Alycia Pirmohamed
We’re Moving to Somerset House Exchange!
We are thrilled to be able to announce that we are moving London-based Poetry School activities from 1 February to our new home in the Somerset House Exchange. We will shortly be sending out detailed directions and course instructions to all enrolled students; we can’t wait to welcome you to this community of arts practitioners in…
Poetry School
Writing After David Lynch – Students’ Poem
The Writing After David Lynch ten-week course took us all on a thrilling and mysterious journey across David Lynch’s films. As part of the penultimate session, on Mulholland Drive, I invited the students to respond to Naomi Watts’ staggering audition scene with a single four-line stanza, that I would then order and curate into a group poem. I took inspiration…
Chrissy Williams
Review – Brilliant Corners by Nuzhat Bukhari, A Blood Condition by Kayo Chingonyi
How do we reconcile conflicting inheritances? Many poets of colour find themselves caught between two roads: the English lyric, whose focus on internal feeling can imply a disavowal of history, and the real histories from which today’s poets arise; histories bent by the home of the English lyric. The lyric and its most apparently ahistorical…
April Yee
Poetry Books of the Year 2021
We are delighted to share our favourite poetry books of the year! It has been another challenging year for obvious reasons, but, in spite of it all, poetry has not only persevered but thrived! 2021 has seen the publication of so many incredible titles, both from established names and emerging poets. So, without further ado,…
Poetry School
Spring 2022 – Quick Course Guide
Our Spring Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Guide, where you’ll find everything you’ll need to know about our upcoming courses. Online INTERACTIVE COURSES:Our classic ten-week online courses with Live…
Poetry School
How I Did It: Forward Prizes – Holly Pester on Comic Timing
Welcome to our Forward Prizes 2021 ‘How I Did It’ series. This year we asked the poets shortlisted for the Felix Dennis Prize for Best First Collection to explain the writing process behind one of the poems in their collections. In this piece, Holly Pester talks about ‘Comic Timing’ from her collection of the same…
Poetry School
How I Did It: Forward Prizes – Alice Hiller on Bird of Winter
Content warning: Please note that this piece includes discussion of sexual abuse which some readers may find upsetting. Welcome to our Forward Prizes 2021 ‘How I Did It’ series. This year we asked the poets shortlisted for the Felix Dennis Prize for Best First Collection to explain the writing process behind one of the poems…
Poetry School
How I Did It: Forward Prizes – Ralf Webb on Rotten Days in Late Summer
Welcome to our Forward Prizes 2021 ‘How I Did It’ series. This year we asked the poets shortlisted for the Felix Dennis Prize for Best First Collection to explain the writing process behind one of the poems in their collections. In this piece, Ralf Webb talks about ‘Love Story: Discourse Goblins’ from his collection Rotten Days…
Poetry School
Review – Virga by Togara Muzanenhamo
Togara Muzanenhamo’s third collection of poetry, Virga, derives its name from a phenomenon in which precipitation falls from a cloud but evaporates before it reaches the ground. Accordingly, the poems in the collection have a replete and ephemeral quality, depicting fragile terrains of abundant beauty, and the crowning feats of destinies that fluctuate like The…
Isabelle Baafi
‘Tension, Tenderness and Truth: Reading Elaine Feinstein
We asked our tutor Adam Feinstein some questions about his course ‘Tension, Tenderness & Truth: Reading Elaine Feinstein’. This course will be a series of lessons exploring the work of renowned poet Elaine Feinstein. Adam is a poet, critic, and Elaine’s son – who better to illuminate her work? What could a student take away from this…
Adam Feinstein
At Home in Hauntology
– Here in the garden, I notice change flickering and looping in the invisible lapse of time between my footsteps, bird feet, the silent beats of butterfly wings and the movements of flora. In my passing, I de-head the odd flower, I note a small bud in apprehension and the imminent rain. Mid summer vacillating between now and the ‘not yet.’ I hear the garden in its tumescent silence and sound. Time feels ‘out of joint’ here, as Derrida…
Agnieszka Studzinska
Review: Ultimatum Orangutan by Khairani Barokka
Drawing on her childhood in Indonesia and her experience as a disabled artist, Khairani Barokka’s second collection, Ultimatum Orangutan, brims with vitality, wisdom, and courage. Moving effortlessly between the personal and the universal, between hope and despair, the poet questions the spaces and times we live in, the relationship between an individual and society, and…
Jennifer Wong
Breaking into Song — War of the Beasts and the Animals by Maria Stepanova, translated by Sasha Dugdale
What is a dead song? A silent song? A song unsung, unheard, forgotten? In ‘The Body Returns’, the concluding poem of Maria Stepanova’s powerful, playful, ferociously vital collection, War of the Beasts and the Animals, the narrator invites us to ‘Break the frozen earth, touch the dead song.’ The dead press in through the lines…
Mina Gorji
What we talk about when we talk about class / class is a slippery thing
Often, the problem of class is a hob ring, you won’t dare to put your hand on it. But it’s there all the same, in the food that we eat, in the air that we breathe, or just around the street corner where we live. Whenever I find myself trapped in a conversation so fraught…
Jennifer Wong
Childhood: A Source of Praise
I want to take you, very briefly, on a journey I made back in May 2007, to Addis Ababa where I had not been since I was a boy, some 40 years before. I had a photo of my friend Abebe in my pocket, standing with his family in our garden. My first stop was…
Chris Beckett
Poetry School Scholarships
In the 2021-22 academic year we have 2 Scholarships available for places in our three-term courses. These scholarships have been jointly funded by the Poetry School and a generous donation from one of our tutors, Wayne Holloway-Smith. One of these scholarships is to be awarded to a writer of colour and the other to a…
Poetry School
Autumn 2021 – Quick Course Guide
Our Autumn Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Guide, where you’ll find everything you’ll need to know about our upcoming courses. Face-to-Face 3-TERM COURSESOur flagship weekly workshop groups where you’ll…
Poetry School
Announcing the Poetry School MA in Writing Poetry Scholarship
We’re delighted to announce the Poetry School MA in Writing Poetry Scholarship for an underrepresented poet. Poetry School is offering a full fees scholarship award (£8,100) to the Poetry School / Newcastle University MA in Writing Poetry for an outstanding applicant who is currently underrepresented in the poetry world. By underrepresented poets, we mean talented creatives who face…
Poetry School
Review – sikfan glaschu by Sean Wai Keung
Sean Wai Keung’s debut collection sikfan glaschu begins with the disclaimer that its poems ‘should not be taken as reviews – nor should the quality of the poems necessarily be seen to reflect on the quality of any food or place which may bear a similar name’. However, this generous sentiment feels a tad ironic…
Jay G Ying
The Fish in the Percolator – on Twin Peaks and Poetry
Twin Peaks may not have introduced me to the concept of mystery, but it did reinforce in me the value of mystery without easy resolution, and the power of the imagination. I’ve been thinking about how that echoes through poetry, and what we can learn from it. I watched Twin Peaks unfold for the first…
Chrissy Williams
Summer School 2021
We are delighted to welcome you to our 2021 Summer School! This programme of half-day workshops has been curated in collaboration with the exhibition A Fine Day for Seeing at Southwark Park Galleries. This show takes its title from the New York School poet Frank O’Hara, who bridged the literary and artistic worlds in the…
Poetry School
Looking at Lichens
Crusty, bearded, lobed – lichens thrive amongst us on pavements, graves and trees and are easily overlooked. Peer closely, run your fingers over a frilled edge or delicate antler – each lichen vibrantly itself in a human-centred world. Kathleen Jamie has talked of serious noticing – the idea of attention as a form of resistance….
Sarah Westcott
Review: New Poetries VIII: An Anthology
How to approach reviewing an anthology? Option 1: Dip in at random. Option 2: Read chronologically. Option 3: Begin with a poet known to you. Here’s me letting you into a not-so-big secret: I blended all three approaches when reading Carcanet’s New Poetries VIII. This handsomely designed anthology functions, on the one hand, as radar…
Jake Morris-Campbell
Review: Beethoven Variations by Ruth Padel
Many collections published over the last few years have fused poetry and biography, invoking historical, mythical, and religious characters. Poetry, in many ways, is the art of conjuring – be it specific images, emotions and speakers, or whole landscapes and decades-long sagas. These subjects, of course, can be either ‘real’ or fictional: often both; sometimes…
Kate Simpson