Blog
All of our Blog Posts
‘Watching the Nestbox’ by Anna Selby — Primers Shortlist 2018
Watching the Nestbox May 22nd to July 19th 2018 To hold a dying bird in your hands is like holding an argument: hot little thudding hot scuffle of feathers all angles and escape a body flooded, bolting. Its feathers peek between your fingers: reptilian tongues. A breath-a breath-abreath. Put it in your mouth like a…
Anna Selby ‘lessons in glass’ by Olga Dermott-Bond — Primers Shortlist 2018
Olga Dermott-Bond is on the ten-person shortlist for Primers Volume Four. ‘lessons in glass’ is the title poem of her shortlised manuscript. We’ve been showcasing the work of all the shortlisted writers over the past two weeks. Click here to read more poems. Olga Dermott-Bond is originally from Northern Ireland and now lives in Warwickshire, where she is…
Olga Dermott-Bond ‘an ill wind’ by Charlotte Baldwin – Primers Shortlist 2018
Charlotte Baldwin works as an arts centre programmer, teaches creative writing and walks dogs.
Charlotte Baldwin
Bridging Two Different Lands: Identity & Place
Ahead of her upcoming workshop, Romalyn Ante writes of the power of place in making us who we are The city teaches the man – Simonides The concepts of place and identity have always been interlinked, whether in geography, environmental psychology, urban planning, or ecocriticism. In this one-day workshop we will explore how…
romalyn ante
GASP by the New North Poets – Out NOW!
GASP is a new free digital anthology from the New North Poets: Jasmine Chatfield, Michael Brown, Elizabeth Gibson, Maria Isakova Bennet and Rosa Walling-Wefelmeyer. The New North Poets are a group of writers, who were selected to receive Northern Writers Awards from New Writing North. Over the last 18 months, they’ve received in-depth mentoring from the…
Poetry School ‘Shadow Boxing’ by Lewis Buxton — Primers Shortlist 2018
______ Lewis Buxton is on the ten-person shortlist for Primers Volume Four. ‘Shadow Boxing’ is taken from his shortlisted manuscript, Weight. We’ll be showcasing the work of all the shortlisted writers over the next two weeks, so check back to read more poems. Born in London in 1993, Lewis Buxton is a poet, performer & arts producer. His poems have…
Lewis Buxton
Review: ‘The House with Only an Attic and a Basement’ by Kathryn Maris
Many of the poems in The House with Only an Attic and a Basement – poems Maris describes as ‘fictions’ – deal with anxieties around the frictions and fissures in communication between men and women, toxic heterosexual encounters, marriage and infidelity and child-rearing. As with Maris’ previous collection God Loves You (2013), the tensions produced…
Amy McCauley
How I Did It: Eric Gregory Award — Stephen Sexton on ‘Daydream of the Jacket’
Welcome to our Eric Gregory Award 2018 ‘How I Did It’ series. We asked the winners of this year’s awards to explain the process behind one of their award-winning poems. In this piece, National Poetry Competition winner discusses ‘Daydream of the Jacket’. The Eric Gregory Awards will close for entries on the 31st of October,…
Stephen Sexton
National Poetry Day – One-Day Sale on One-Day Workshops!
To celebrate National Poetry Day today, we’re offering 20% off all our one-day workshops, for one-day only. Just use code NPD20 at the checkout stage online to receive 20% off the following courses: Working with Collage with Linda Black Experiment with collage and re-appropriation with Linda Black, learning how these processes can create exciting and original…
Poetry School ‘You’ by Amelia Loulli – Primers Shortlist 2018
You You came in the night put your hands around her cheeks and yanked her from my nipple or if You didn’t You stole all the food fed Yourself on the bread I baked that afternoon grew bigger or if not You hid in the corners stealing glances of moments You called mistakes warned would…
Amelia Loulli ‘To be fifteen’ by Victoria Richards – Primers Shortlist 2018
To be fifteen and after the third can of Super Strongbow cider, to throw up all over the embossed wallpaper belonging to that girl in the year above, the one with the bra straps and dirty jokes. She breathes in smoke without coughing, says, “alright?” to the most beautiful boy at school, the most beautiful…
Victoria Richards ‘After Adlestrop (for Helen Thomas)’ by Valerie Bence – Primers Shortlist 2018
After Adlestrop (for Helen Thomas) As usual, it is not widely known that you were there beside him in that carriage, at that station, suffused in sunlight and birdsong when someone cleared their throat as no-one left and no-one came. As usual, you are invisible — the hidden framework, an underpinning without which he would crumble,…
Valerie Bence ‘Catholic Girl Ghazal’ by Rachel Burns – Primers Shortlist 2018
Catholic Girl Ghazal Gotta love us Catholic girls, worshipping Madonna, singing Madonna mimicking her dress, the crop short sexy tops, just like Madonna. We are good Catholic girls, dare to bare our navel girls, chewing Wrigley’s gum hoops in our ears, crucifixes swinging from our necks, sexy like Madonna. Look, now we’re meeting up with…
Rachel Burns ‘Last eclipse’ by Nina Powles – Primers Shortlist 2018
_________________________________________________________________________________________ .
Nina Powles
Primers Volume Four Shortlist and Longlist Announced!
The Poetry School and Nine Arches Press are thrilled to announce the shortlist and longlist for Primers Volume Four, our mentoring and publication scheme. After reading thousands of poems, judges Kim Moore and Jane Commane have selected ten manuscripts for the shortlist and 17 manuscripts for the longlist. We’ll be publishing poems by all of…
Poetry School
Review: ‘Passivity, Electricity, Acclivity’ by Ella Frears
Ella Frears’ Passivity, Electricity, Acclivity is one fragmented but connected lyric essay. Where the lyric essays that are most frequently referenced (Maggie Nelson’s Bluets, and Claudia Rankine’s Don’t Let Me Be Lonely and Citizen) tend to work in small blocks of prose (or prose-poetry), Frears explodes the lyric essay form, producing the familiar blocks of prose,…
Jenna Clake
How I Did It – Forward First Collection: Abigail Parry on ‘The nine lives you might have lived, were it not for the nine thin spells through your heart’
Welcome to the fourth instalment of our Forward Prizes First Collection ‘How I Did It’ series. Once again, we’ve asked the poets shortlisted for this year’s Felix Dennis Prize to explain the process behind one of their award-shortlisted poems. Here, Abigail Parry discusses the history of a key poem from her collection Jinx. The Forward Prizes ceremony will…
Abigail Parry
How I Did It: Forward First Collection – Kaveh Akbar on ‘HERITAGE’ from Calling a Wolf a Wolf
Welcome to the third instalment of our Forward Prizes First Collection ‘How I Did It’ series. We asked the poets shortlisted for this year’s Felix Dennis Prize to explain the process behind one of their award-shortlisted poems. Here, Kaveh Akbar talks about the devastating real-life event behind the poem ‘HERITAGE’. The Forward Prizes ceremony will take…
Kaveh Akbar
#28for28: Sharing Space
Poetry School is sharing space. We are sharing our blog and broadcasting writers’ stories of those who experience indefinite immigration detention in the UK and those who work with them. We are also sharing our physical space: three of the tales – by Patience Agbabi, Neel Mukherjee, and Bernardine Evaristo – were filmed here at…
Poetry School
How I Did It: Eric Gregory Award – Zohar Atkins on ‘System Baby’
Welcome to the third instalment of our Eric Gregory Award 2018 ‘How I Did It’ series. We asked the winners of this year’s awards to explain the process behind one of their award-winning poems. In this piece, Zohar Atkins writes about ‘System Baby’, Heideggerian ontology, and writing poems in resistance to ‘unsayability’. The Eric Gregory…
Zohar Atkins
Review: ‘As Slow As Possible’ by Kit Fan
Kit Fan’s multifarious second collection takes its title from an art installation / piece of music for a church organ by John Cage which began its performance in September 2001 and is scheduled to end, believe it or not, in 2640. It takes on average over a year for a note in Cage’s composition to…
Richie McCaffery
Poetry in Aldeburgh Announce 2018 Line-Up
Curated by Paul Stephenson and Poetry School Full line up and tickets now available at www.poetryinaldeburgh.org Over 100 of today’s most exciting poets from across the UK will come to the Suffolk coast to celebrate all things poetry with a weekend of 45 workshops, events and performances. We take as themes climate change, queer…
Poetry School
How I Did It: Forward First Collection – Shivanee Ramlochan on ‘All the Dead, All the Living’ from Everyone Knows I Am a Haunting
Welcome to the second instalment of our Forward Prizes First Collection ‘How I Did It’ series. We asked the poets shortlisted for this year’s Felix Dennis Prize to explain the process behind one of their award-shortlisted poems. Shivanee Ramlochan talks about the wondrous experience of attending Carnival in Trinidad and Tobago, which sparked her…
Shivanee Ramlochan
Ancient Tongues and Hybrid Texts
Ahead of his upcoming course in Bristol, Rowan Evans writes about the intricate link between ancient languages and experimental poetry. Language started shaking ok the day started shaking ok words are a matter of shaking – Caroline Bergvall, Drift (Nightboat Books, 2014). This Autumn I begin practice-based PhD research at Royal Holloway,…
Rowan Evans
How I Did It: Forward First Collection – Phoebe Power on ‘Rina’ from Shrines of Upper Austria
Welcome to the first instalment of our Forward Prizes First Collection ‘How I Did It’ series. We asked the poets shortlisted for this year’s Felix Dennis Prize to explain the process behind one of their award-shortlisted poems. Phoebe Power gives details below on her writing process, and on how she created ‘Rina’. The Forward Prizes…
Phoebe Power