Poetry School Articles
Review Essay – Half Other by Peter Wallis
Nicola Healey reads the new poetry collection by Peter Wallis: Half Other, ‘a reminder of the significance of lateral relations in our lives’ whole’. ‘I was not born alone’: Twinhood and Illness Peter Wallis’s first full collection, Half Other, takes inspiration from his life as a twin, focusing on the lengthy ill health and hospital…
Nicola Healey
Dear Rwanda: Creating a Poetry Souvenir
Here’s Isy Mead on her upcoming course, Poetry Souvenirs, keepsakes from over there; capturing the foreign without the fake. Rwanda, or ‘The Land of a Thousand Hills’, has a beauty beyond imagining. It is characterised by ubiquitous hillside terraces and spreading banana groves, by stunning, bright-green tea-fields to the south, and green and gold safari…
Isabella Mead
Wilder Swimming – Blog by Penny Boxall on ‘Tales from the Wetlands’
A blog by Penny Boxall on her upcoming course ‘Tales from the Wetlands Studio’ The first time I went to Estonia, I was surprised at the extent to which tales and folklore are woven into the landscape there. Friends told me you must not sit on the sandy beach until the first thunderstorm of the…
Penny Boxall
The Freedom of Writing
Michal Kamil Piotrowski on his course: ‘A Kaleidoscope of Forms: Innovative Poetry in the 21st Century’ Hello! In this post I will write a bit about experimental poetry. But first – what makes poetry experimental or innovative? In my opinion, the most important aspect is that, unlike traditional poetry, it concentrates on the future, it…
Michał Kamil Piotrowski
Identity Poetics: A Century of Englishness
Christopher Madden reads the latest anthology edited by John Greening and Kevin Gardner, and the new poetry collection by Aaron Kent. Contraflow: Lines of Englishness 1922-2022, Ed. John Greening & Kevin Gardner Every anthology poses two fundamental questions: ‘Why this?’, and ‘Why now?’ For John Greening and Kevin Gardner, the editors of Contraflow: Lines of…
Christopher Madden
Blog on our Climate Crisis Poetry Course ‘Burning Gaze: Revisiting the Romantics During Global Heating.’
Here’s Glyn Edwards on his upcoming course, Burning Gaze: Revisiting the Romantics During Global Heating, exploring romanticism and climate crisis poetry. ‘Nearly Daffodils’: BBC6, English Teacher(s), Wordsworth, and Adrian Henri BBC 6 Music has three playlists; the selection of songs appear on rotation through the day. Sometimes, a song that received intermittent radio play months…
Glyn Edwards
Now I Have a Poem, HO-HO-HO
Chrissy Williams on her forthcoming festive one-day poetry workshop, ‘Yippee-Ki-Yay: Writing Poems Inspired by DIE HARD’. Ah, Christmas, the most wonderful time of the year, a time for sharing warm fires, hastily wrapped gifts, and generational discord. Like many, I gravitate towards Die Hard at Christmas: a film about family and violent resolution with all…
Poetry School
Poetry School x TLC Free Reads Scheme 2023-24
Looking to develop your writing under the guidance of a published poet? Poetry School is delighted to be partnering with The Literary Consultancy in offering 1 poet a free Mentoring place from February 2024. Find out how to apply below! This year, we’re excited to be joining the TLC Arts Council England Free Reads Scheme,…
Poetry School
Spring 2024 – Quick Course Guide
Our Spring Term is now live and we’ve got a whole host of brilliant tutors and poetry courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Course Guide, where you’ll find everything you’ll need to know. Online Courses INTERACTIVE Our classic 10-week online poetry courses with Live…
Poetry School
Review: Standing in the Forest of Being Alive by Katie Farris
Stephanie Sy-Quia reads the new poetry collection by Katie Farris and discovers a message of hope and perseverance. Katie Farris’s second collection revolves around treatment for breast cancer, with the mastectomy as the great before and after – a dividing line along which most of the collection falls. Other moments of magnitude are the Capitol…
Stephanie Sy-Quia
‘What are we supposed to use, harsh language?’
Chrissy Williams on using the movie ALIENS to create her one-day poetry workshop, Short Controlled Bursts. When poets, myself included, turn to cinema for inspiration, it’s often to complex films with a philosophical bent which are crafted with deliberately poetic tools; not machine guns, armored cars, and aliens who burst through the chests of their…
Chrissy Williams
Momtaza Mehri – How I Did It ‘A Few Facts We Hesitantly Know to Be Somewhat True’
Welcome to our Forward Prizes 2023 ‘How I Did It’ series. This year we asked the poets shortlisted for the Forward Prize for Best First Collection to write about the inspiration behind their collection. Here’s Momtaza Mehri on what inspired her to write Bad Diaspora Poems. This was one of a series of poems I…
Momtaza Mehri
HOW I DID IT – Zena Edwards ‘HUMAN: THIS EMBODIED KNOWLEDGE’
Welcome to our Forward Prizes 2023 ‘How I Did It’ series. This year we asked the poets shortlisted for the Forward Prize for Best Single Poem (Performed) to write about the inspiration behind their poem. Here’s Zena Edwards on what inspired her to write ‘Human : This Embodied Knowledge’. This piece has always wanted to…
Zena Edwards
Eric Yip – How I Did It ‘Fricatives’
Welcome to our Forward Prizes 2023 ‘How I Did It’ series. This year we asked the poets shortlisted for the Forward Prize for Best Single Poem (Written) to write about the inspiration behind their poem. Here’s Eric Yip on what inspired him to write ‘Frictatives.’ Thinking about a poem after having written it feels like…
Eric Yip
Kandace Siobhan Walker – How I Did It ‘Cowboy’
Welcome to our Forward Prizes 2023 ‘How I Did It’ series. This year we asked the poets shortlisted for the Forward Prize for Best First Collection to write about the inspiration behind the poems in their collection. Here’s Kandace Siobhan Walker on what inspired her to write Cowboy. When I was editing Cowboy, I was…
Kandace Siobhan Walker
Kathryn Bevis – How I Did It ‘My body tells me that she’s filing for divorce’
Welcome to our Forward Prizes 2023 ‘How I Did It’ series. This year we asked the poets shortlisted for the Forward Prize for Best Single Poem (Written) to write about the inspiration behind their chosen poem. Here’s Kathryn Bevis on what inspired her to write ‘My body tells me that she’s filing for divorce.’ On…
Kathryn Bevis
Review Round-up: The Body of Language
Shalini Sengupta reads three new poetry collections by Alycia Pirmohamed, Jay Gao, and Safiya Kamaria Kinshasa. On Another Way to Split Water by Alycia Pirmohamed 1. How do the words get to the page? 2. What attracts them? 3. What did you burn? 4. What did you give to the river? These lines from Bhanu…
Shalini Sengupta
Stanzas for Ukraine – 25
The Heat by Fedir Mlynchenko, translated from the Ukrainian by Stephen Komarnyckyj My flight from the war, launched by Moscow against Ukraine, is similar to the stories of millions of other forced exiles. It’s still too painful to even think about and especially to share my recollections.Despite having traversed thousands of kilometres, I still couldn’t…
Fedir Mlynchenko
Autumn 2023 – Quick Course Guide
Our Autumn Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Course Guide, where you’ll find everything you’ll need to know. Online Courses INTERACTIVE Our classic 10-week online courses with Live Chats. The…
Poetry School A Story That Will Never End; An Obituary, for Victoria Amelina
The Ukrainian writer Victoria Amelina died at the weekend from injuries she sustained following a Russian missile attack on the pizzeria where she was dining on 27 June 2023. Her death, which was announced on 3 July 2023, brings the total number of casualties from the strike to 13, including four children. Victoria, who was…
Victoria Amelina
MA in Writing Poetry
Are you determined to take your poetry to the next level?Apply now for the MA in Writing Poetry The MA in Writing Poetry is an accredited degree with Newcastle University and the Poetry School, delivered as part-time course over two years. The course is taught in-person at Somerset House, Strand, London by established poets through workshopping, masterclasses and 1-2-1 tutorials. To see some of the fantastic…
Tessa Foley Stanzas for Ukraine – 22
From the Springs of the Earth by Vasyl Makhno, translated from the Ukrainian by Stephen Komarnyckyj I belong to the ranks of those who witnessed the collapse of the Soviet Union with their own eyes, and the Revolution on Granite and Ukraine’s Declaration of Independence. However, by contrast I observed the Orange Revolution and The…
Vasyl Makhno
Form Laboratory
Here are some exceptional poems from Jacqueline Saphra’s Form Laboratory. When I proposed this set of collaborative workshops to The Poetry School, I had no idea of the creativity it would unleash. During the darkening evenings of Autumn 2022, Thursdays became a poetic laboratory where an adventurous, generous, and inspired group of poets invented new…
Jacqueline Saphra Stanzas for Ukraine – 21
Hatred by Halyna Huliieva, translated from the Ukrainian by Stephen Komarnyckyj The subjects and themes of my writing didn’t fundamentally change after 24 February 2022. The war as far as I and many other Ukrainians were concerned didn’t begin last year (and ultimately probably not nine years ago) because I studied history and somehow always…
Наlyna Huliieva
Review – Heritage Aesthetics by Anthony Anaxagorou
Our New Damage What are the contours of heritage when it ruptures through colonialism and diaspora? This dense, multifaceted question is the organising principle of Anthony Anaxagorou’s new collection of poetry, Heritage Aesthetics – primarily concerned with the underexamined intersections of British-Cypriot identity, colonial history, and masculinity. Geography and cartography yield structural anxieties: littoral Cypriot…
Tom Branfoot