featured Articles
Tales from the frontline: a conversation with Shey Hargreaves
An Interview with Shey Hargreaves
Halfway through her four-week digital poetry residency with 1215today, we talked to writer Shey Hargreaves about her work, why even bad jobs are about more than just paying the bills, and her frontline experience of recent cuts to healthcare in this country. Note: this interview was originally published on the 1215today website. Hi Shey, can…
Will Barrett (Poetry School)
‘A Hymn to the Ordinary’
Zsa Zsa Gabor’s very fond of a door especially in oak or a light sycamore – her sister-in-law loves a long corridor and a friend of her father has a thing for his floor – it was Dior before but it’s not anymore – we should try to be more like Zsa Zsa Gabor. Don’t…
Kate Davis
Pub Chats: Two Rivers Press
An Interview with Two Rivers Press
In the latest of our series of feature-length interviews with independent publishers, set in our imaginary poetry theatre pub somewhere in Lambeth, we spoke to Peter Robinson of Two Rivers Press…
Poetry School
Poetry, freedom, censorship: 1215.today round-up
Hello. My name is Shey Hargreaves. I’m a writer and storyteller from East Anglia in the UK and for four weeks I’ll be blogging as Digital Poet in Residence for the Poetry School and 1215.today. (It’s the residency that’s digital, not me. I’m real. Really.) 1215.today is a ‘virtual house of culture’ built to host…
Shey Hargreaves
Pub Chats: Longbarrow Press
An Interview with Longbarrow Press
In the latest of our series of feature-length interviews with independent publishers, set in our imaginary poetry theatre pub somewhere in Lambeth, we shared a pint with Brian Lewis of Longbarrow Press… Hello there! What are you drinking? Brian: A pint of Easy Rider (courtesy of Sheffield’s Kelham Island brewery). How long has Longbarrow Press been running? Brian: We launched…
Will Barrett (Poetry School)
‘Three exercises in style (after Raymond Queneau)’, ‘Acronymic poem (after Schuldt)’, and ‘Snowball’
‘THREE EXERCISES IN STYLE (AFTER RAYMOND QUENEAU)’ ‘ACRONYMIC POEM (AFTER SCHULDT)’ ‘SNOWBALL’ COMMENT Kate Wakeling is a writer and ethnomusicologist based in Oxford. Her poems have appeared in magazines and anthologies including The Rialto, Butcher’s Dog and The Best British Poetry 2014 (Salt). These texts were written on Steven J. Fowler’s Maintenant!…
Kate Wakeling
‘Readers of Faces: Poetry as Portraiture’
“Most people ignore most poetry because most poetry ignores most people.” – Adrian Mitchell I like people. I like reading about them. I like talking to them and getting to know them. I like writing about them. It might just be age, but these days I can’t think of anything worse than meditating on my…
Sarah Hesketh
‘Beyond Romanticism: Green Lanes & Byways’
What are the contours of Romanticism beyond the ‘Big Six’ poets, who we at least think we know? There is no doubting the achievements of Wordsworth, Coleridge and Blake, or Byron, Shelley and Keats: but their poetry sprang from a culture as infinitely rich and various as their verse itself, marked by social ferment and…
Dan Eltringham
The Poet’s Book: an interview with Lavinia Singer and Anna Robinson
An Interview with Lavinia Singer & Anna Robinson
We interviewed Anna Robinson and Lavinia Singer about their new Poetry School course, The Poet’s Book. Hi Anna! Hi Lavinia! How are you? And what are you both up to? Anna: I am well thanks! I teach writing to students at UEL, at Barking library and to prisoners by distance learning, so I have been…
Ali Lewis
The Line Break #7 – Mark Doty: Desire
THE LINE BREAK
Poetry School
The Line Break #6 – Caroline Bird: Punched in the Dark
THE LINE BREAK
Ryan Van Winkle
How I Translated It: ‘When I left you, afterwards’ by Brecht
Some notes on my translation of Brecht’s ‘Als ich nachher von dir ging …’ and some hints on translation more generally. First the text itself, with a very literal interlinear translation: Als ich nachher von dir ging When I afterwards from you went An dem großen Heute On the great today Sah ich, wie…
David Constantine
‘littoral’
2666, pp.642. “He drew Porphyra umbilicalis, a particularly lovely seaweed, nearly eight inches long and reddish purple in colour. […] There were various species of Porphyra and all of them were edible. The Welsh, in particular, were fond of them.” i had been reading up on instant nori made from greenish laver, on sugar kelp…
Flo Reynolds
I do not believe in silence.
I’m guessing the fact that you’re here online means that you don’t just enjoy reading poetry – you also like to read about it. Me too. In fact, sometimes I enjoy it even more than poetry itself. The Life of Poetry by Muriel Rukeyser is a case in point. I first read this book on…
Clare Shaw
‘Robo-mow’
Alan dreams 256 shades of green, hibernating in his glass docking pod at the bottom of the garden. Self-starting at sunrise, his solar panels slowly energise. Recharged and updated with new kinds of seed, 66 brands of feed and non-toxic weed killers plus the latest on invasive alien species. Alan zips up his latex happy…
Lydia Popowich
Instructions for Throwing your Voice
1. Learn to speak without moving your lips. Hold a finger over your mouth as if trying to tell someone to be quiet. This will help prevent your lips from moving. Gritting your teeth together may help. 2. Change your voice. A convincing “vent” voice must be very different from yours. Choose your “vent” voice carefully…
Clare Shaw
Open Workshop: ‘The Art of Ventriloquism’
A history of ventriloquism, to be summarised and re-written: Originally, ventriloquism was a religious practice. The name comes from the Latin for to speak from the stomach, i.e. venter (belly) and loqui (speak). The noises produced by the stomach were thought to be the voices of the unliving, who took up residence in the stomach of the ventriloquist. The ventriloquist…
Poetry School
‘She’s a game old bird’
My granny takes canary sips from her service-station tea, jaundiced eyes lantern-bright as she asks, again, who the ambulance is for. is magpie-quick the nurses say, fills her knicker drawer with plasters, rubber gloves, someone else’s dentures. sticks her beak in other rooms Look at’em! Lolling! picks over the injustice like a pigeon pecking at…
Liz Soar
‘At the table’
two chairs. One for me and one for him who will not come. COMMENT “I live in the north of Germany near the Kiel Kanal. I also live in a lifelong very passionate love affair with language /s. Three years ago I started to study poetry of all ages and nationalities and to…
Magret Peper
Meet the Digital Poet in Residence: Clare Shaw
Hi Clare! Tell us about your upcoming residency, ‘You took the words right out my mouth’. Clare: I’m a poet, but until recently I spent most of my working life as a trainer and researcher in mental health services. This work was explicitly rooted in my own history – a history which has also found…
Will Barrett (Poetry School)
‘Poor, becoming moderate later’
If I wis waddir I’d cheenge i da blink o a untrained ee – I’d be warm, laek da pert breists o wid pigeons a smidgeon ower don, a trifle gien I’d be weet, laek monkfish cheeks lattin da saat wash aff afore divin back in tae aa dey keen I’d be dull, laek a…
Christie Williamson
‘Long Poems & Invocations: Making the Measure Work for You’
Often teachers tell poets to hone, edit and show not tell, or use language more sparingly, but what if we want to rage and roam, and embrace the mental rollercoaster ride which is the long poem? Writing a long poem can be a chance to immerse yourself in the subconscious and surprise yourself with the…
Melissa Lee-Houghton
‘A Life on the Edge: Hinterlands and Homelands’
Pray for us now. Grade 1 piano scales console the lodger looking out across a Midlands town. Then dusk, and someone calls a child’s name as though they named their loss. Darkness outside. Inside, the radio’s prayer – Rockall. Malin. Dogger. Finisterre. ‘Prayer’ by Carol Ann Duffy The number of people who will have…
Holly Hopkins
Primers Shortlist – Maureen Cullen
We hope you’ve been enjoying discovering the work of the Primers shortlist as much as we have. Over the last few weeks we’ve been showcasing those poets in the running for our mentoring and publication scheme with Nine Arches Press. We’re entering the home straight in our poem features having already presented work from Geraldine Clarkson, Jo…
James Trevelyan (Poetry School)
‘The Word made Fresh’ – Restoring the Bible to English Poetry
My history with the Bible goes back a long way and has materially influenced the course of my life as well as my intellectual, artistic and religious development. As a militant teenage atheist from an a-religious background, I would nevertheless regularly read the King James Bible — as ‘literature’ (that is, for enjoyment) but also…
Steve Ely