Many collections published over the last few years have fused poetry and biography, invoking historical, mythical, and religious characters. Poetry, in many ways, is the art of conjuring – be it specific images, emotions and speakers, or whole landscapes and decades-long sagas. These subjects, of course, can be either ‘real’ or fictional: often both; sometimes…
The irrepressible spirit of green guides Ruth Padel’s new collection Emerald – in terms of inner and outer growth, mysterious stone tablets and the lucent mineral itself, ‘a seam / of dazzle green’. Emerald is a tender and sustained honouring of the author’s mother Hilda, and the particularities of her dying, in 2017. ‘This is…
Ruth Padel has spoken of Orpheus’ power to forge connections: “Orpheus draws everyone towards him and brings his audience together”. In today’s poem, the Orpheus myth resounds in a perhaps unexpected location, the underworld of an Ikea car park. At Poetry in Aldeburgh Ruth Padel will read alongside Rachel McCarthy as part of Passion and…
An Interview with Ruth Padel
A work which tries to be ‘political’ often fails to work as art. You have to make the poem as good as you can as a poem, as art, rather than bang on with its message.
Here’s Isy Mead on her upcoming course, Poetry Souvenirs, keepsakes from over there; capturing the foreign without the fake. Rwanda, or ‘The Land of a Thousand Hills’, has a beauty beyond imagining. It is characterised by ubiquitous hillside terraces and spreading banana groves, by stunning, bright-green tea-fields to the south, and green and gold safari…
We are delighted to share with you our favourite poetry books of the year! Although it’s been a difficult year, where we couldn’t attend readings or poetry events in person, it has – nevertheless – been filled with exciting poetry, featuring long-awaited debut collections, innovative experiments, and fantastic books from long-established poets. There have been…
Autumn Term 2017 is now open for booking! The opening of this new academic year marks the beginning of our 20th anniversary year: a year in which we’ll be celebrating two decades of making poetry happen with exciting events, our festival partnership with Poetry in Aldeburgh, and, of course, brilliant courses, workshops, tutorials and opportunities to…
In Autumn 2016 we advertised for applications for Poet in Residence at the inaugural Poetry in Aldeburgh Festival. Ben Rogers was subsequently put into position and undertook a month full of research, interviews, writing prompts and poems. We asked him to provide his reflections on this mammoth task in the hope it might prove useful to…
‘Hinterlands’ – Blake Morrison, Anne-Marie Fyfe Blake Morrison and Anne-Marie Fyfe opened the Poetry in Aldeburgh readings, both poets recalling a spectrum of desolate coastal locations, including in and around Aldeburgh. Morrison’s ‘Ballad of Shingle Street’ was a stirring example, offering an insistent rhythm (one line simply “again again again again”) that sounded like someone…
An interesting poetic constellation in this triad of new pamphlets; each has similarities to the others, but there are marked differences too. Elaine Baker’s Winter with Eva (V. Press) and Astra Papachristodoulou’s Stargazing (Guillemot Press) in particular are poles apart in formal and narrative strategies, and many readers may have a distinct preference for one…