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All the groups in our Network.

Secrets and Lies

Private Group with 16 members

According to Jean Cocteau, ‘The poet is a liar who always speaks the truth.’ This course considers the various ways in which poems manipulate the truth in order to tell it. Drawing on a range of contemporary examples, we’ll look closely at how poets use invention, suggestion, embellishment and surprise to get the effects they’re after, and you’ll be investigating some of these tactics in your own writing. We’ll also consider what poems conceal and the power of silence – what happens in the crucial white space, and how does the poem’s relationship with form affect the way we read it? There’ll be regular writing exercises and you’ll be encouraged to think about your own decisions, particularly when reworking and editing your poems.

Haiku Rebellion Studio

Private Course Group with 21 members

Three lines, syllable counting, nature, Zen. Now, we’ve got those crusty preconceptions and outdated rules out of the way we can take a fresh look at English language haiku in the light of contemporary Western practice. On this intensive 3 week writing course we will re-visit the most misunderstood of all the poetic forms – the haiku – looking at work by experienced practitioners in the UK and USA. We will then practice some techniques that contribute towards making the ordinary extraordinary, writing our own small epiphanies, tiny elegies and snapshots from our daily lives that are charged with clarity, emotion and humour. We will also be setting both our pens and as well as our bodies in motion, as we follow in the footsteps of Basho and compose our haiku while walking, taking advantage of the dramatic changes of the autumn season.

‘The Doors of Perception’: Pop Culture & Poetry with Leah Umansky [Spring 2025]

Private Course Group with 14 members

22 Jan – Course start & Assignment 1 set
29 Jan – Assignment 1 Deadline
05 Feb – Feedback 1 & Assignment 2 set
12 Feb – Assignment 2 Deadline
19 Feb – Feedback 2 & Assignment 3 set
26 Feb – Assignment 3 Deadline
05 Mar – Feedback 3 & Assignment 4 set
12 Mar – Assignment 4 Deadline
19 Mar – Feedback 4 & Assignment 5 set
26 Mar – Assignment 5 Deadline
02 Apr – Feedback 5 & Course End

Spells, Prayers, & Magic Studio [Autumn 2025]

Private Group with 19 members

6 Oct – Assignment 1 (AS1) set
13 Oct – AS1 Submission, AS2 Set
20 Oct – Feedback for AS1, AS2 Submission, AS3 Set
27 Oct – Feedback for AS2
3 Nov – AS3 Submission
5 Nov – Feedback for AS3, Course End

Writing Alternative Poetic Histories [Summer 2024]

Private Course Group with 16 members

15 May – Course start & Assignment 1 set
22 May – Assignment 1 deadline
29 May – Feedback 1 & Assignment 2 set
5 Jun – Assignment 2 deadline
12 Jun – Feedback 2 & Assignment 3 set
19 Jun – Assignment 3 deadline
26 Jun – Feedback 3 & Assignment 4 set
3 Jul – Assignment 4 deadline
10 Jul – Feedback 4 & Assignment 5 set
17 Jul – Assignment 5 deadline
24 Jul – Feedback 5 & course end

Around the Table [Summer 2025]

Private Course Group with 6 members

This is a space for peer-to-peer feedback where you can share the poems that you’ve written from the course.

Web Curios

Public Group with 6,207 members

Interesting poetical tidbits from across the web.

Poetry iPlayer

Public Group with 24 members

A audio-visual poetry place for filmpoems, vlogs, video performances, solo recordings, radio documentaries, and more.

Human / Nature

Private Course Group with 16 members

The natural world has long been a site of fascination and wonder for poets. But how do we write our surroundings now – whether urban or rural – at a time when the human impact on the environment is at its most acute? Taking poetry that responds to the complexities of its surroundings from around the world as inspiration and example, we will read a range of poets including A R Ammons, Liz Berry, Tom Chivers, Lucille Clifton, David Constantine, Camille Dungy, John Kinsella, W S Merwin, Pablo Neruda, Pascale Petit and Gary Snyder. Through close readings and a range of practical exercises, this course will explore how we might approach the pressing global complexities of the 21st century to create poems that are fresh, engaging and politically alert.

Exquisite Corpse (Open Workshop)

Private Group with 9 members

Have you ever wanted to collaborate with a group of poets on one piece of work?

Well, the Surrealists started the Exquisite Corpse enterprise for this very purpose, as a sort of party game or parlour trick, a kinetic placement of ideas and images. So let’s create our monster: no rules, no theme, no demands, except that all contributions are concealed until the body of work is complete, then we will step back to wait for the lightning.

In this Open Workshop with Janette Ayachi, the Poetry School’s Digital Poet in Residence, you will be posting lines and conjoining them together to generate a poem charged from the CAMPUS ether. You will look at how the process began as a visual art form, and you will learn how wonderful it can be to be detached from subject, writing for the sake of writing, automatically and without purpose other than to assist a bigger picture – lines will become limbs and poets will become the donors. The finished body may end up being absurd; but the variability at play, the unforeseen elements and group participation will gloriously disrupt the conscious mind’s affinity for procedure, and possibly invite change to the way you frequently structure your poems.

To sign up and for more information: http://campus.poetryschool.com/open-workshop-exquisite-corpse/

Summer School 2025

Private Group with 46 members

A social space for MA students to share thoughts, photos, news and plans.

2025 MAWPers

Private Group with 13 members

Social group for all of the 2025 MA in Writing Poetry First Years.

Poems After Poems: Writing Ars Poetica [Summer 2025]

Private Group with 14 members

7 May –  Assignment 1 (AS1) set
14 May – AS1 submission
21 May –  Feedback for AS1, AS2 set
28 May – AS2 submission
4 June – Feedback for AS2, AS3 set
11 June – AS3 submission
18 June – Feedback for AS3, AS4 set
25 June – AS4 submission
2 July – Feedback for AS4, AS5 set
9 July – AS5 submission
16 July – Feedback for AS5, Course end

Somatics: Writing & Ritual Masterclass [Summer 2025]

Private Group with 14 members

8 May –  Assignment 1 (AS1) set
15 May – AS1 submission
22 May –  Feedback for AS1, AS2 set
29 May – AS2 submission
5 Jun – Feedback for AS2, AS3 set
12 Jun – AS3 submission
19 Jun – Feedback for AS3, AS4 (double length) set
3 Jul – AS4 submission
17 Jul – Feedback for AS4, AS5 set
24 Jul – AS5 submission
30 Jul – Feedback for AS5, Course end

Poetry, Poetics, and the Lyric Essay Masterclass [Summer 2025]

Private Group with 14 members

6 May –  Assignment 1 (AS1) set
13 May – AS1 submission
20 May –  Feedback for AS1, AS2 set
27 May – AS2 submission
3 Jun – Feedback for AS2, AS3 set
10 Jun – AS3 submission
17 Jun – Feedback for AS3, AS4 (double length) set
1 Jul – AS4 submission
15 Jul – Feedback for AS4, AS5 set
22 Jul – AS5 submission
28 Jul – Feedback for AS5, Course end

Fortnightly Feedback with Penny Boxall [Summer 2025]

Private Group with 20 members

9 May – course start
23 May– 1st poem submission (feedback from tutor posted by 30 May)
6 June – 2nd poem submission (feedback from tutor posted by 13 June)
20 June – 3rd poem submission (feedback from tutor posted by 27 June)
4 July – 4th poem submission (feedback from tutor posted by 11 July)
18 July – 5th poem submission (feedback from tutor posted by 25 July)