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All the groups in our Network.

Forms of Storytelling Masterclass: A Story is a Story is a Story

Private Course Group with 7 members

14 Jan – Assignment 1 (AS1) set
21 Jan – AS1 Submission
28 Jan – Feedback for AS1, AS2 set
4 Feb – AS2 Submission
11 Feb – Feedback for AS2, AS3 set
18 Feb – AS3 Submission
25 Feb – Feedback for AS3, AS4 set
11 Mar – AS4 Submission
25 Mar – Feedback for AS4, AS5 set
1 Apr – AS5 Submission
8 Apr – Feedback for AS5, Course End

Making Poetry Happen: Poetry Performance by Women & Gender Nonconforming Artists [Spring 2026]

Private Course Group with 7 members

22 Jan – Assignment 1 (AS1) set
30 Jan – AS1 Submission
5 Feb – Feedback for AS1, AS2 set
12 Feb – AS2 Submission
19 Feb – Feedback for AS2, AS3 set
26 Feb – AS3 Submission
5 Mar – Feedback for AS3, AS4 set
12 Mar – AS4 Submission
19 Mar – Feedback for AS4, AS5 set
26 Mar – AS5 Submission
2 Apr – Feedback for AS5, Course End

MA in Writing Poetry 2025/27 (Tuesday Cohort)

Private Group with 11 members

This is a group for students enrolled on the Poetry School’s MA in Writing Poetry in partnership with Newcastle University, 2025/27 – Tuesday Cohort.

NB students: When posting your poems for workshop, please ensure that the filename includes your name and the title of the poem.
Please also include your name on the page of the document.

Writers not Users: A Masterclass on Living & Writing in the Age of AI [Spring 2026]

Private Course Group with 6 members

12 Jan – Assignment 1 (AS1) set
19 Jan – AS1 Submission
26 Jan – Feedback for AS1, AS2 set
2 Feb – AS2 Submission
9 Feb – Feedback for AS2, AS3 set
16 Feb – AS3 Submission
23 Feb – Feedback for AS3, AS4 set
9 Mar – AS4 Submission
23 Mar – Feedback for AS4, AS5 set
30 Mar – AS5 Submission
6 Apr – Feedback for AS5, Course End

Secrets and Lies

Private Group with 16 members

According to Jean Cocteau, ‘The poet is a liar who always speaks the truth.’ This course considers the various ways in which poems manipulate the truth in order to tell it. Drawing on a range of contemporary examples, we’ll look closely at how poets use invention, suggestion, embellishment and surprise to get the effects they’re after, and you’ll be investigating some of these tactics in your own writing. We’ll also consider what poems conceal and the power of silence – what happens in the crucial white space, and how does the poem’s relationship with form affect the way we read it? There’ll be regular writing exercises and you’ll be encouraged to think about your own decisions, particularly when reworking and editing your poems.

Haiku Rebellion Studio

Private Course Group with 21 members

Three lines, syllable counting, nature, Zen. Now, we’ve got those crusty preconceptions and outdated rules out of the way we can take a fresh look at English language haiku in the light of contemporary Western practice. On this intensive 3 week writing course we will re-visit the most misunderstood of all the poetic forms – the haiku – looking at work by experienced practitioners in the UK and USA. We will then practice some techniques that contribute towards making the ordinary extraordinary, writing our own small epiphanies, tiny elegies and snapshots from our daily lives that are charged with clarity, emotion and humour. We will also be setting both our pens and as well as our bodies in motion, as we follow in the footsteps of Basho and compose our haiku while walking, taking advantage of the dramatic changes of the autumn season.

‘The Doors of Perception’: Pop Culture & Poetry with Leah Umansky [Spring 2025]

Private Course Group with 14 members

22 Jan – Course start & Assignment 1 set
29 Jan – Assignment 1 Deadline
05 Feb – Feedback 1 & Assignment 2 set
12 Feb – Assignment 2 Deadline
19 Feb – Feedback 2 & Assignment 3 set
26 Feb – Assignment 3 Deadline
05 Mar – Feedback 3 & Assignment 4 set
12 Mar – Assignment 4 Deadline
19 Mar – Feedback 4 & Assignment 5 set
26 Mar – Assignment 5 Deadline
02 Apr – Feedback 5 & Course End

First & Last Lines Studio [Spring 2026]

Private Course Group with 12 members

9 Mar – Assignment 1 (AS1) set
16 Mar – AS1 Submission, AS2 Set
23 Mar – Feedback for AS1, AS2 Submission, AS3 Set
30 Mar – Feedback for AS2, AS3 Submission
6 Apr – Feedback for AS3, Course End

Hoax Poetics: A Fakery Masterclass [Spring 2026]

Private Course Group with 7 members

15 Jan – Assignment 1 (AS1) set
22 Jan – AS1 Submission
29 Jan – Feedback for AS1, AS2 set
5 Feb – AS2 Submission
12 Feb – Feedback for AS2, AS3 set
19 Feb – AS3 Submission
26 Feb – Feedback for AS3, AS4 set
12 Mar – AS4 Submission
26 Mar – Feedback for AS4, AS5 set
2 Apr – AS5 Submission
9 Apr – Feedback for AS5, Course End

Tangents, Risk, & Intensity: Neurodiversity as Creative Process [Spring 2026]

Private Course Group with 9 members

19 Jan – Assignment 1 (AS1) set
26 Jan – AS1 Submission
2 Feb – Feedback for AS1, AS2 set
9 Feb – AS2 Submission
16 Feb – Feedback for AS2, AS3 set
23 Feb – AS3 Submission
2 Mar – Feedback for AS3, AS4 set
9 Mar – AS4 Submission
16 Mar – Feedback for AS4, AS5 set
23 Mar – AS5 Submission
30 Mar – Feedback for AS5, Course End

Darkness into Light: Poetry for the Waxing Year [Spring 2026]

Private Course Group with 5 members

13 Jan –  Assignment 1 (AS1) set
20 Jan – AS1 submission
27 Jan –  AS2 set
3 Feb – AS2 submission
10 Feb – AS3 set
17 Feb – AS3 submission
24 Feb – AS4 set
3 Mar – AS4 submission
10 Mar – AS5 set
17 Mar – AS5 submission
24 Mar – Course end

Re-Weirding Albion [Spring 2026]

Private Course Group with 5 members

15 Jan – Assignment 1 (AS1) set
22 Jan – AS1 Submission
29 Jan – Feedback for AS1, AS2 set
5 Feb – AS2 Submission
12 Feb – Feedback for AS2, AS3 set
19 Feb – AS3 Submission
26 Feb – Feedback for AS3, AS4 set
5 Mar – AS4 Submission
12 Mar – Feedback for AS4, AS5 set
19 Mar – AS5 Submission
26 Mar – Feedback for AS5, Course End

Sudden Prose: Exploring Prose Poetry & Flash Fiction [Spring 2026]

Private Course Group with 18 members

14 Jan – Assignment 1 (AS1) set
21 Jan – AS1 Submission
28 Jan – Feedback for AS1, AS2 set
4 Feb – AS2 Submission
11 Feb – Feedback for AS2, AS3 set
18 Feb – AS3 Submission
25 Feb – Feedback for AS3, AS4 set
4 Mar – AS4 Submission
11 Mar – Feedback for AS4, AS5 set
18 Mar – AS5 Submission
25 Mar – Feedback for AS5, Course End

Writing Kinships & Emotional Landscapes [Spring 2026]

Private Course Group with 8 members

20 Jan – Assignment 1 (AS1) set
27 Jan – AS1 Submission
3 Feb – Feedback for AS1, AS2 set
10 Feb – AS2 Submission
17 Feb – Feedback for AS2, AS3 set
24 Feb – AS3 Submission
3 Mar – Feedback for AS3, AS4 set
10 Mar – AS4 Submission
17 Mar – Feedback for AS4, AS5 set
24 Mar – AS5 Submission
31 Mar – Feedback for AS5, Course End

Transreading Ukrainian Poetry: ‘a crimson bush amidst silence’ (Transreading Spring 2022)

Private Course Group with 12 members

19 Jan – Course start & Assignment 1 set
26-Jan – Assignment 1 deadline
2-Feb – Assignment 2 set
9-Feb – Assignment 2 deadline
16-Feb – Assignment 3 set
23-Feb – Assignment 3 deadline
2-Mar – Assignment 4 set
9-Mar – Assignment 4 deadline
16-Mar – Assignment 5 set
23-Mar – Assignment 5 deadline
30-Mar – course end