Blog
Vona Groarke – T. S. Eliot Writer’s Notes
Welcome to our Writers’ Notes for the 2025 T.S. Eliot Prize shortlist. These are educational resources for poets looking to develop their practice and learn from some of contemporary poetry’s most exciting and accomplished voices. Here’s Vona Groarke on her collection Infinity Pool. Floaters & Flashes I’m deeply suspicious of the term ‘my practice’ when used by…
Vona Groarke
How Poets Navigate Plagiarism, Consent, and Authorship
As part of our Poetry Craft series, Sarah Hesketh discusses how poets navigate plagiarism, consent, and authorship. When using real speech in poetry, how do you maintain authenticity without simply reproducing raw material? I suppose I’d immediately like to take issue with that word ‘authenticity’. Poetry that incorporates text that comes from a speech act…
Sarah Hesketh
Who Gets to Write? Class, Work and the Politics of Poetry Today
As part of our Poetry Craft series, Ruth Beddow discusses class, work and the politics of poetry today. Before we talk about whose poetry gets published, promoted or awarded, we need to ask: who gets to write in the first place? A myth of ‘working-class writing’? In recent years, we’ve seen Joelle Taylor (raised in…
Ruth Beddow
How to: Develop Poetic Sensitivity to the Spaces Between
In this series, we interview our tutors about poetry and its place in their world. These interviews will cover creative writing tips, excelling in a poetry workshop, building a literary career, and finding your poetic voice. Here’s Helen Calcutt on how to develop poetic sensitivity to the spaces between. How can poets use the ‘spaces…
Helen Calcutt
How I Did It: Forward Prizes – Michael Mullen on ‘Beithir’
Welcome to our Forward Prizes 2025 ’How I Did It’ series. This year we asked poets shortlisted for the Jerwood Prize for Best First Collection to write about the inspiration behind one of the poems from their chosen collection. Here’s Michael Mullen on what inspired them to write the poem ‘Beithir’ in Goonie. Any writer of Scots –…
Michael Mullen
How I Did It: Forward Prizes – Sarah Ghazal Ali on ‘Magdalene Diptych’
Welcome to our Forward Prizes 2025 ’How I Did It’ series. This year we asked poets shortlisted for the Jerwood Prize for Best First Collection to write about the inspiration behind one of the poems from their chosen collection. Here’s Sarah Ghazal Ali on what inspired her to write the poem ‘Magdalene Diptych’ in Theophanies. Magdalene at a…
Sarah Ghazal Ali
Why Understanding Music Can Improve Your Poetry Writing
As part of our Poetry Craft series, Tristram Fane Saunders discusses why understanding music can improve your poetry writing. In what ways can poetry be considered a form of music? Listen to a poem in a language that you cannot speak, and very often you’ll come away with a strong sense of the emotion behind…
Tristram Fane Saunders
Connecting with Care through Poetry
In this series, we interview our tutors about poetry and its place in their world. These interviews will cover creative writing tips, excelling in a poetry workshop, building a literary career, and finding your poetic voice. Here’s Suzannah V. Evans on how to connect with care through poetry. Has your experience as a carer, formally…
Suzannah V. Evans
How I Did It: Forward Prizes – Desree on ‘Intruders’
Welcome to our Forward Prizes 2025 ’How I Did It’ series. This year we asked poets shortlisted for the Jerwood Prize for Best First Collection to write about the inspiration behind one of the poems from their chosen collection. Here’s Desree on what inspired her to write the poem ‘Intruders’ in Altar. The Prompt The first version of…
Desree
How to: Captivate with Picture Books
In this series, we interview our tutors about poetry and its place in their world. These interviews will cover creative writing tips, excelling in a poetry workshop, building a literary career, and finding your poetic voice. Here’s Kathryn Simmonds on how to captivate with picture books. Are there key differences between writing for adults and…
Kathryn Simmonds
How I Did It: Forward Prizes – Isabelle Baafi on ‘Piggy’
Welcome to our Forward Prizes 2025 ’How I Did It’ series. This year we asked poets shortlisted for the Jerwood Prize for Best First Collection to write about the inspiration behind one of the poems from their chosen collection. Here’s Isabelle Baafi on what inspired her to write the poem ‘Piggy’ in Chaotic Good. PIGGY From Horror The…
Isabelle Baafi
How I Did It: Forward Prizes – Catherine-Esther Cowie on ‘Mimorian’
Welcome to our Forward Prizes 2025 ’How I Did It’ series. This year we asked poets shortlisted for the Jerwood Prize for Best First Collection to write about the inspiration behind one of the poems from their chosen collection. Here’s Catherine-Esther Cowie on what inspired her to write the poem ‘Mimorian’ in Heirloom. In Another Language ‘Mimorian’ is…
Catherine-Esther Cowie
The Art of Poetic Experimentation: Push Boundaries, Break Forms, Find Freedom
For poets who love to play, innovate, and challenge the limits of form, our experimental poetry courses are an invitation to risk, reimagine, and reinvent. These courses celebrate unpredictability, genre-bending approaches, and wild creative impulses – perfect for those looking to spark something new. Whether you’re working in collage, constraint, visual poetry, or hybrid forms,…
Poetry School
Beginners & Emerging Poets
Starting out in poetry? Ready to find your voice, learn the craft, and join a vibrant writing community? These courses offer welcoming, supportive structures designed to help you build confidence, learn foundational skills, and start shaping your poetic identity. Whether you’re new to poetry or returning after a break, these courses will help you grow…
Poetry School
Writing After Rimbaud: How Reading the Greats Can Transform Your Poetry
Stav Poleg discusses how to take inspiration and influence from iconic writers such as Rimbaud and use it to elevate your own poetic craft. What drew you to writing in response to other poets’ work? Do you remember the first time you tried it? I’ve always considered the practice of writing as simultaneously an act…
Stav Poleg
Mastery & Momentum: Advanced Poetry Courses & Masterclasses
For poets ready to refine their craft, challenge their assumptions, and elevate their practice, these courses are rigorous, inspiring spaces to grow. With expert tutors, peer feedback, and a focus on form, innovation, and poetic theory, these courses are designed for serious writers seeking momentum, publication, and creative breakthroughs. Many courses are by application—see below…
Poetry School
Poetry as Practice: Ritual, Care, & Craft
Poetry is more than art—it’s a practice of presence, healing, and deep attention. These courses explore poetry as a lived experience: a ritual, a response to crisis, a means of caring for self and others, and a space to reflect, remember, and restore. Whether you’re navigating grief, exploring care ethics, or weaving poetic ritual into…
Poetry School
Form, Freedom, & Falling Leaves
Master the art of poetry this Autumn 2025. Explore sonnets, structured forms, advanced workshops, and peer feedback in expert-led online courses. Autumn is a season of structure and study. As the days shorten and routines return, it’s the perfect time to deepen your poetic practice. Whether you’re new to form or ready to refine your…
Poetry School
How to: Write About Climate Crisis
In this series, we interview our tutors about poetry and its place in their world. These interviews will cover creative writing tips, excelling in a poetry workshop, building a literary career, and finding your poetic voice. Here’s Elizabeth Torres (Madam Neverstop) on how to write about climate crisis. How do you see poetry’s role in…
Elizabeth Torres (Madam Neverstop)
Beyond Representation: Supporting Global Majority Writers in a Demanding Literary Landscape
As part of our Poetry Craft series, Louisa Adjoa Parker discusses how to support global majority writers in a demanding literary landscape through poetry. What are some craft strategies you use to elevate personal or political content into work that also speaks artistically or universally? I am very much what I describe as an ‘intuitive…
Louisa Adjoa Parker
CLIMATE POETRY: Kate Simpson and James Ford, ‘Adaptation Gap’
Poets have long used their craft to reframe issues, convey emotion and share ideas, and climate change is an increasing feature of poetry shared across the world. To mark the launch of the Priestley Centre for Climate Futures last year, our partners, the University of Leeds Poetry Centre, paired University of Leeds poets with Priestley Centre climate…
Poetry School
Global Poetics: Transreading, Translation & the World in Verse
Poetry is borderless. Language flows across landscapes, cultures, and histories – and these courses celebrate that flow. From ekphrasis and multilingual writing to translation as transformation, these courses invite you to write beyond the boundaries of nation, genre, and tongue. Whether you’re translating visual art, echoing ancestral voices, or remixing texts from other cultures, these…
Poetry School
How to: Deal With Rejection
In this series, we interview our tutors about poetry and its place in their world. These interviews will cover creative writing tips, excelling in a poetry workshop, building a literary career, and finding your poetic voice. Here’s Rachel Bower on how to deal with rejection. Can you share an experience where you faced rejection of…
Rachel Bower
Writing Through the Turning Year: Seasonal Poetry Courses for Autumn and Beyond
As the light wanes and the air grows crisp, now is the time to reflect, regenerate, and root down into poetic practice. Whether you’re seeking mythic inspiration, ecological insight, or a shift in creative energy, these autumn-ready poetry courses will ignite your imagination and carry you into the darker months with purpose. These seasonal poetry…
Jasmine Ward
Five Women Poets You Should Be Reading Right Now
Clare Pollard who teaches our popular course Learning from Female Poets recommends her top five women poets you should be reading right now. 1. One contemporary woman poet. I’m reading Diane Seuss’ Modern Poetry at the moment and absolutely loving it. It’s the sort of poetry that makes me jealous. I read a couple of…
Clare Pollard