Courses
Making Birds: an Interview with R.A. Villanueva
An Interview with R.A. Villanueva
R.A. Villanueva is an award-winning Filipino-American poet and founding editor of Tongue: A Journal of Writing & Art. His first collection, Reliquaria, won the Prairie Schooner Book Prize, and new writing appears in Poetry, Prac Crit and widely elsewhere. Now living in the UK, Ron’ll be teaching the Summer Term course Making Birds: New Poetic…
Ali Lewis
‘Readers of Faces: Poetry as Portraiture’
“Most people ignore most poetry because most poetry ignores most people.” – Adrian Mitchell I like people. I like reading about them. I like talking to them and getting to know them. I like writing about them. It might just be age, but these days I can’t think of anything worse than meditating on my…
Sarah Hesketh
‘Beyond Romanticism: Green Lanes & Byways’
What are the contours of Romanticism beyond the ‘Big Six’ poets, who we at least think we know? There is no doubting the achievements of Wordsworth, Coleridge and Blake, or Byron, Shelley and Keats: but their poetry sprang from a culture as infinitely rich and various as their verse itself, marked by social ferment and…
Dan Eltringham
The Poet’s Book: an interview with Lavinia Singer and Anna Robinson
An Interview with Lavinia Singer & Anna Robinson
We interviewed Anna Robinson and Lavinia Singer about their new Poetry School course, The Poet’s Book. Hi Anna! Hi Lavinia! How are you? And what are you both up to? Anna: I am well thanks! I teach writing to students at UEL, at Barking library and to prisoners by distance learning, so I have been…
Ali Lewis
Retrospective: Looking back on ‘Hide and Seek in the Ideas Forest’ with Sophie Herxheimer
In this retrospective, we’ll be looking back at some of the poems and works of art created by students on Sophie Herxheimer’s recent Poetry School workshop, ‘Hide and Seek in the Ideas Forest: Poetry and Picture Making’, and having a chat with Sophie herself about the day. First up, the interview… Hi Sophie. In the workshop,…
Ali Lewis
‘Radio, Radio: Making Poetry Sound’
I listened to The Verb on Radio 3 long before I ever appeared on it, and before I made my first radio documentary. I remember Ken Campbell talking about language, Wendy Cope making poems about going to classical music concerts. It was exciting and inspirational to hear people on the radio talking about poetry, and…
Ira Lightman
‘New Myths and Legends: Building a World through Poetry’
There are two types of fictional worlds, one that exists within its own sphere and the other – a place we travel to from our own world. For me the second has always been more compelling, the idea that there are layers to our world, a sort of Platonic imprint, inhabited with creatures or heroic…
Emma Hammond
Announcing our Summer 2016 Courses!
Short Courses Making Birds: New Poetic Forms with R.A. Villanueva – experiment, invent new forms, and encounter innovative poetry. Shape Up and Send with Rishi Dastidar – Get your poems fighting fit and send them out into the world. The Poet’s Book with Anna Robinson and Lavinia Singer – produce a handmade book containing your…
Ali Lewis
Poetry & Visual Art Gallery Day: Itinerary
Poetry & Visual Art Gallery Day: Itinerary Poets have long drawn inspiration from painters and sculptors; with the rise of a new generation of artists challenging traditional media, can we find in them a source for poems that push boundaries in a similar manner? As part of Tamar Yoseloff’s Poetry and Visual Art course, students…
Ali Lewis
Voice Skills for Poets: an interview with Nicola Collett
Hi Nicola, we’re delighted you’ll be offering a one-day workshop in February. Can you tell us a bit about yourself? Nicola: Yes, I started off as an English and Drama teacher, teaching the 11-18 age group, in comprehensive schools in Harlow and London. Eventually, I became fascinated with the way in which a teacher’s voice…
James Trevelyan (Poetry School)
5 moments when poetry and pop music collided for the general benefit of us all!
So, as those of you joining my online listening group next term will discover, I reckon pop songs and other assorted detritus from rock ‘n’ roll culture are a great jumping off point for writing poems. Whether it’s the thump of a tom-tom, feedback whistling round your brain, even the sheen of an ill-advised leather…
Rishi Dastidar
What Work Is
We stand in the rain in a long line waiting at Ford Highland Park. For work. You know what work is – if you’re old enough to read this you know what work is, although you may not do it. Philip Levine, ‘What Work Is’ The more I think about what work is, the…
Kim Moore
Paradise Lost: ‘An Express Elevator to Hell!’
Oh Milton, Milton, Milton: local boy born on Bread Street just off Cheapside; the ‘Lady of Christ’s’ College Cambridge; defender of regicide; pro-divorce pamphleteer; free-speech zealot; house guest of Galileo; blind visionary; dreamer of Paradise Lost, now buried alongside the Barbican’s fountains – how oft I think of thee. Forgive my windy oratory/Milton draws this…
Simon Barraclough
Follow the Brush: Making Zuihitsu Poetry
Zuihitsu? What is it? I’d never heard of this strange word before either until I first encountered the work of American poet, Kimiko Hahn, and in particular her mesmerizing collection The Narrow Road to the Interior (2006) in which she employs this ancient Japanese technique in the writing of some startlingly modern poetry. If you…
Cheryl Moskowitz
‘Hearing Voices: reading and responding to world poetry in translation’
Sometimes, as writers, if we tire of the view from the small patch of earth we inhabit, we look to cast our nets wider. The poem in translation is a wondrous thing – self-contained, tardis-like. On a chill, grey November day, what could be better than to be transported to a place where… ……
Shazea Quraishi
The Poem as Party Guest: an interview with Wayne Holloway-Smith
Hi Wayne, we’re very excited you’ve joined the Poetry School team. Can you tell us more about your course, what’s it all about? Wayne: Cheers. Yes, the course idea came to me after I attended a friend’s party and was collared by an individual who monopolised my attention for an extraordinarily long time. As the individual’s…
James Trevelyan (Poetry School)
‘Long Poems & Invocations: Making the Measure Work for You’
Often teachers tell poets to hone, edit and show not tell, or use language more sparingly, but what if we want to rage and roam, and embrace the mental rollercoaster ride which is the long poem? Writing a long poem can be a chance to immerse yourself in the subconscious and surprise yourself with the…
Melissa Lee-Houghton
‘A Life on the Edge: Hinterlands and Homelands’
Pray for us now. Grade 1 piano scales console the lodger looking out across a Midlands town. Then dusk, and someone calls a child’s name as though they named their loss. Darkness outside. Inside, the radio’s prayer – Rockall. Malin. Dogger. Finisterre. ‘Prayer’ by Carol Ann Duffy The number of people who will have…
Holly Hopkins
‘The Word made Fresh’ – Restoring the Bible to English Poetry
My history with the Bible goes back a long way and has materially influenced the course of my life as well as my intellectual, artistic and religious development. As a militant teenage atheist from an a-religious background, I would nevertheless regularly read the King James Bible — as ‘literature’ (that is, for enjoyment) but also…
Steve Ely
Announcing our Spring 2016 Courses!
Here’s a quick look at what’s on offer for our Spring Term (beginning 25 January 2016). To find out about a particular course or tutor, follow the title links or call us to enquire on 0207 582 1679. If you’d like to print out a copy of our brochure to look through at home, you can…
Poetry SchoolVisiting the Dead
When I was 5 years old, my father left us and set up home with a wealthy, erratic, glamorous Mexican woman. His Karmic payback was that whilst he left our mother a single parent of two, he, within a decade, was a single parent of three. Hence, I have half-siblings who are glamorous and fairly…
Anna RobinsonRe-writing Dante
T S Eliot’s genius for quotation gave me my first taste of Dante: the marvellous epigraph to “The Love Song of J. Alfred Prufrock” and a line at the end of ‘The Waste Land’ – “Poi s’ascose nel foco che gli affina” (“then he hid himself in the fire that refines them”). Torn out of…
Edmund PrestwichWinning Ways to Make the Shortlist: an Interview with Saradha Soobrayen
An Interview with Saradha Soobrayen
With the change in seasons comes the next wave of competitions, prizes, awards and schemes for poets in the UK. Already thinking about your submissions? Poet, mentor and facilitator Saradha Soobrayen is on hand to help, with her course Winning Ways to Make the Shortlist providing 30 editing tools and writing strategies to help you get…
Poetry School‘Creatrix: Women’s Poetries for the 21st Century’
In the Honours year of my undergrad degree in English Literature, I signed up for a module called Modern Poetry. When the student gaggle – twelve or so of us – arrived for the first seminar, our tutor announced that he wanted to talk to us about the “politics” of the course content before we…
Claire AskewSounds and Sweet Airs
Be not afeard, the isle is full of noises… I’m writing this in the back room of our house, overlooking a meeting of gardens. We’re underneath a flight path, and this morning the planes are roaring in, low, carrying the summer visitors and returners to London. In between, a robin’s ticking of alarm reaches me,…
Meryl Pugh