Digital Poet In Residence Articles
A Bibliophile’s Manifesto
☞ Because I feel its secret weight in my pocket or the crook of an arm ☞ Because little creatures bore and live inside it, making a home for themselves ☞ Because it smells ☞ Because I can turn it over in my hands and feel how it’s been made ☞ Because it harbours memories and the trappings of…
Lavinia SingerA Personal Preface
As a child I wrote many a “happy song”, often compiling them in books of my own construction with accompanying drawings. Thankfully these weren’t such “that all may read”, but remained private, incompletely formed little objects that I enjoyed making and owning. Since then I’ve been learning about the bookmaking process and how techniques…
Lavinia SingerMeet the Digital Poet in Residence: Lavinia Singer
An Interview with Lavinia Singer
Hi Lavinia! When we first started discussing your residency – For the Love of Craft: Confessions of a Bibliophile – you spoke about wanting to “defend your aestheticist interests”. So could we start by explaining what those are and why you think they need defending? Lavinia: I suppose the issue is with beauty and how to…
Will Barrett (Poetry School)
Literature is intoxicating, poetry in particular
Writing is an addiction; the process leaks endorphins and writer’s block can cause terrible withdrawal symptoms. When writers date writers it is like dating your dealer, you are always in close proximity to your next fix. Communication becomes transportation, we go on ‘a trip’ lining up words for inhalation: the climaxes and comedowns, mania and…
Janette AyachiRebellious Love: Allen Ginsberg & Peter Orlovsky
When Allen Ginsberg first laid admiring eyes on Peter Orlovsky in 1954 in a flat in San Francisco, he was naked in a painting with tousled yellow hair and a beguiling gaze. He asked the artist who it was posing, and Orlovsky was called from the other room, transmogrified into reality, fully clothed. It was…
Janette AyachiLove and Suicide: Sylvia Plath & Ted Hughes
The most notorious, politicized and doomed literary couple in history. Sylvia Plath was charmed into hunting out Ted Hughes after reading his poem ‘Hawk in The Rain’, and in 1956 she met his powerful and imposing presence at a party in Cambridge, ‘kiss me, and you will see how important I am’ she wrote in…
Janette AyachiTrue Love: Anais Nin & Henry Miller
“Life and literature combined, love the dynamo, you with your chameleon’s soul giving me a thousand loves, being anchored always in no matter what storm, home wherever we are. In the mornings, continuing where we left off. Resurrection after resurrection. You asserting yourself, getting the rich varied life you desire; and the more you…
Janette AyachiJealous Love: Natalie Barney & Renée Vivien
These wild women were Symbolist poets in literary Paris at the turn of the 20th century, culturally advantaged and intellectually determined. They were Women of The Left Bank who set up boutiques: publishing houses and artistic salons across the city forging a Sapphic Utopia with their grandiose gestures of a luxury-bohemian, women-centred lifestyle, a place…
Janette AyachiQuiet Love: Virginia Woolf & Vita Sackville West
From this week I’m going to be briefly sketching some of my favourite writer romances of the last couple of centuries, starting with today’s coupling: Virginia Woolf & Vita Sackville West. These two female authors living in the heart of Edwardian England became lovers in 1925 when they met over dinner. Sackville-West wrote after the meeting…
Janette AyachiTangled Up In Green: Literary Lovers and Their Temperaments
“Jealousy is a useless emotion” Kirsten Norrie MacGillivray, poet and musician But is it? Has jealousy not inspired great tortured literature, a cult of memorable love songs, riotous movements and aesthetic masterpieces? Is it not as useful as a knife – a weapon that has cut through crimes of passion bleeding through the sheets…
Janette Ayachi
Love Letters as Poetry
‘That I love you, and that when I awake in the morning I use my intelligence to discover more ways of appreciating you.’ Anais Nin to Henry Miller, A Literate Passion: 1952-1963. Love is the greatest of all emotions, a passion more meaningful than any other, and the most valuable human experience in our lifetimes….
Janette AyachiOpen Workshop: ‘Exquisite Corpse’
Have you ever wanted to collaborate with a group of poets on one piece of work? Well, the Surrealists started the Exquisite Corpse enterprise for this very purpose, as a sort of party game or parlour trick, a kinetic placement of ideas and images. So let’s create our monster: no rules, no theme, no demands, except…
Poetry School
Writers Who Love Writers
A friend of mine once pointed out that as poets we are indefinitely not like everyone else. Perhaps others don’t stick their heads into things as we do, they don’t get caught up in their emotions – and suddenly in the middle of a busy bar feeling something close to what Stendhal felt in Florence…
Janette AyachiMeet the Digital Poet in Residence: Janette Ayachi
An Interview with Janette Ayachi
Hi Janette! And welcome to CAMPUS. Tell us more about your upcoming residency – ‘The Poet’s Ego: Writers Who Love Writers’ – and what you’ve got planned. Janette: I have been rolling around in that question myself, its seems the more research I do, the more I spiral off on horizontal tangents of the self!…
Will Barrett (Poetry School)Janette Ayachi is our new Digital Poet in Residence
After a close-fought competition, and my it was hard sifting down to a single winner, deliberations are over and we’re delighted to announce that Janette Ayachi will be our next Digital Poet in Residence. Janette is an Edinburgh-based poet who enticed us early with her idea for a residency, ‘The Poet’s Ego: Writers Who Love…
Will Barrett (Poetry School)CAMPUS Debate: Poetry and Music in Performance
Poetry and music: a natural pairing? On instinct, yes! of course! why who hasn’t extolled a thumping good poem for its ‘musicality’, or raved about the ‘pure poetry’ of a great song? If you go back far enough to when nearly all verse was accompanied by flute and lyre, it’s hard to say whether poetry…
Will Barrett (Poetry School)A run from the Pound
I’ve come to the end of my residency, which ran in tandem with my commission to write and present a documentary about Ezra Pound and economics (due out on Radio 4 this summer). It has been fantastically helpful for me, not least because I sometimes find it hard to see the wood for the trees,…
Ira LightmanNotes on Modernists III
DONALD DAVIE I first started reading Donald Davie, one of my own heroes, because of his odd critical book/assemblage of reviews Under Briggflatts. He did not inspire me to read Pound, not consciously, so much as to ask more questions of mainstream British poetry. I came to Pound later, and then dived into Davie on…
Ira LightmanAppy Economics
That was is a pound that i was at your house in 1 of the most famous cancer certainly the one most houston straight up in the problems the multinational global village of international capital were here to stay and everybody’s studies economics to understand economics is hard to visual i cannot allusion discount to…
Ira LightmanPound Won’t Change You
Do people read the Cantos and change their politics or their approach to economics? No, I don’t think so. Does the poetry bring that subject alive, if you are a poetry fan? Does it preach a message only poets can hear? No, I think, not really. But there are things in there. There are questions…
Ira LightmanBe our next Digital Poet in Residence!
The Poetry School is delighted to invite proposals for its next Digital Poet Residency. Since 2013 we’ve run eight digital residencies on CAMPUS, on an invitation only basis. For our 9th digital residency, we’re opening out to applications directly from the CAMPUS community. The Digital Poet in Residence is an artist-led position and we actively…
Poetry SchoolAll the films from Ross Sutherland’s 30 Poems / 30 Videos residency
Ladies and gentleman he did it! Earlier this year we challenged Ross Sutherland, our 7th Digital Poet in Residence, to create 30 original poetry films in less than two months, and we’re now delighted to collect together the results of this epic, prolific enterprise. It’s been a fantastic project and wonderful working with Ross, who…
Will Barrett (Poetry School)What’s a digital residency? Why’s a digital residency?
The photograph above was taken at approximately 4pm on 4 March 2015, in the Waterloo branch of Foyles. The display stand – a promotion for Penguin’s new read-in-one-sitting Little Black Classics range, and but two days old – has been all but stripped bare. From a backlist containing Whitman, Keats, Gerald Manley Hopkins, Sappho, Coleridge,…
Will Barrett (Poetry School)Pound uses other people
People are much more familiar with the idea of found poetry now than in any of the centuries before Pound. The idea, though, that poetry is not made up of one’s own expression but of incorporating the writings of others is an old one. In previous centuries, it was common for published writers to expect…
Ira LightmanSerif-ically Visual
To follow on from my last post and anticipate my next, I’m going to say more about how visually Pound writes/types for the page, and do so using the first example so far in my discussions of Pound using found text (more of which soon). But I’m also not going to move too far away…
Ira Lightman