new courses Articles
Dear Rwanda: Creating a Poetry Souvenir
Here’s Isy Mead on her upcoming course, Poetry Souvenirs, keepsakes from over there; capturing the foreign without the fake. Rwanda, or ‘The Land of a Thousand Hills’, has a beauty beyond imagining. It is characterised by ubiquitous hillside terraces and spreading banana groves, by stunning, bright-green tea-fields to the south, and green and gold safari…
Read MoreWilder Swimming – Blog by Penny Boxall on ‘Tales from the Wetlands’
A blog by Penny Boxall on her upcoming course ‘Tales from the Wetlands Studio’ The first time I went to Estonia, I was surprised at the extent to which tales and folklore are woven into the landscape there. Friends told me you must not sit on the sandy beach until the first thunderstorm of the…
Read MoreThe Freedom of Writing
Michal Kamil Piotrowski on his course: ‘A Kaleidoscope of Forms: Innovative Poetry in the 21st Century’ Hello! In this post I will write a bit about experimental poetry. But first – what makes poetry experimental or innovative? In my opinion, the most important aspect is that, unlike traditional poetry, it concentrates on the future, it…
Read MoreBlog on our Climate Crisis Poetry Course ‘Burning Gaze: Revisiting the Romantics During Global Heating.’
Here’s Glyn Edwards on his upcoming course, Burning Gaze: Revisiting the Romantics During Global Heating, exploring romanticism and climate crisis poetry. ‘Nearly Daffodils’: BBC6, English Teacher(s), Wordsworth, and Adrian Henri BBC 6 Music has three playlists; the selection of songs appear on rotation through the day. Sometimes, a song that received intermittent radio play months…
Read MoreNow I Have a Poem, HO-HO-HO
Chrissy Williams on her forthcoming festive one-day poetry workshop, ‘Yippee-Ki-Yay: Writing Poems Inspired by DIE HARD’. Ah, Christmas, the most wonderful time of the year, a time for sharing warm fires, hastily wrapped gifts, and generational discord. Like many, I gravitate towards Die Hard at Christmas: a film about family and violent resolution with all…
Read MoreSpring 2024 – Quick Course Guide
Our Spring Term is now live and we’ve got a whole host of brilliant tutors and poetry courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Course Guide, where you’ll find everything you’ll need to know. Online Courses INTERACTIVE Our classic 10-week online poetry courses with Live…
Read More‘What are we supposed to use, harsh language?’
Chrissy Williams on using the movie ALIENS to create her one-day poetry workshop, Short Controlled Bursts. When poets, myself included, turn to cinema for inspiration, it’s often to complex films with a philosophical bent which are crafted with deliberately poetic tools; not machine guns, armored cars, and aliens who burst through the chests of their…
Read MoreAutumn 2023 – Quick Course Guide
Our Autumn Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Course Guide, where you’ll find everything you’ll need to know. Online Courses INTERACTIVE Our classic 10-week online courses with Live Chats. The…
Read MoreMA in Writing Poetry
Are you determined to take your poetry to the next level?Apply now for the MA in Writing Poetry The MA in Writing Poetry is an accredited degree with Newcastle University and the Poetry School, delivered as part-time course over two years. The course is taught in-person at Somerset House, Strand, London by established poets through workshopping, masterclasses and 1-2-1 tutorials. To see some of the fantastic…
Read MoreWriting My Sister
My sister died suddenly on 5 April. This blog was going to be about the ways I get myself writing. The analogies I find helpful. Tech, for example: harder to reboot, better to keep it going all the time, in any way you can. Remind yourself you are writing a lot of the time. Remind…
Read MoreMore love poems? Really?
‘Love’ must be one of the most overused words in the English language. So much ‘love poetry’ has been written over the course of human experience, that it might be reasonable to ask – why bother adding to the literature of love poetry? Is there anything more to say? I think there’s lots more to…
Read MoreFortnightly Feedback with Leah Umansky
It’s always a good idea to get another set of eyes on something. Sometimes, we need new ways to look at the world. The ordinary is often extraordinary; the extraordinary is sometimes ordinary. This is nothing new. The same is true for the world of a poem and a poem is really just its own…
Read MoreSummer 2023 – Quick Course Guide
Our Summer Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Course Guide, where you’ll find everything you’ll need to know. Online Courses INTERACTIVEOur classic ten-week online courses with Live Chats. Verse Epic:…
Read MoreSpring 2023 – Quick Course Guide
Our Spring Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Course Guide, where you’ll find everything you’ll need to know. Online Courses INTERACTIVEOur classic ten-week online courses with Live Chats. ‘Blank Page…
Read MoreINSPIRATION TO INVOICING
A CPD series for professional & aspiring poets Becoming a freelance poet – whether full- or part-time, alongside employed work – requires a range of business and practical skills, not to mention the actual practice of writing and publishing. These sessions aim to creatively and reflectively unpack these skills, inviting participants to consider their own…
Read MorePoet as Archaeologist Studio Blog
This autumn, I’m thinking about what poets can learn from archaeologists and their discoveries. Poet as Archaeologist Studio will be a chance to generate new work, read and discuss poems and get feedback on your drafts. It will also be an opportunity to consider how a different discipline might inform our writing. I spent my…
Read MoreStanzas for Ukraine – 6
The Kalyna[1] Poetry Flute (Especially for Kalyna Language Press Limited[2]) by Myroslav Herasymovych, translated from the Ukrainian by Stephen Komarnyckyj I looked at the news and thought. What did I think? – It’s unknown. Ah! I’ve remembered. – What? – What I thought about. – What did you think about? Without answering I turned my…
Read MoreAutumn 2022 – Quick Course Guide
Our Autumn Term is now live and we’ve got a whole host of brilliant tutors and courses lined up, so be sure to book promptly to avoid disappointment. Below is our handy Quick Guide, where you’ll find everything you’ll need to know about our upcoming courses. Online INTERACTIVE COURSES:Our classic ten-week online courses with Live…
Read MoreStanzas for Ukraine – 5
On The Impossibility of Not Writing by Vitalij Kvitka, translated from the Ukrainian by Stephen Komarnyckyj Poetry is an infinity. War tries to deny this infinity. There are, in this sense, no greater enemies than poetry and war. The poet, after all, is trying to embody the idea of human eternity, as if the infinity…
Read MoreStanzas for Ukraine – 4
Stanzas for Ukraine – The Invasion of the Ukrainian Language [ Author: Lyuba Yakimchuk, translated from the Ukrainian by Stephen Komarnyckyj] The war calls into question everything on which our survival depends and provokes a crisis in our vision of humanity. During Russia’s large scale war against Ukraine only the apathetic wouldn’t quote Theodor AThe…
Read MoreStanzas for Ukraine – 3
Our third blog in the Stanzas for Ukraine project is by the Ukrainian writer Oleh Shynkarenko, who is known for his experimental fiction. However, Russia’s invasion of his homeland spurred him to write poetry. His blog talks of the threat to individual identity under occupation and these previously unpublished poems deal with the war in…
Read MoreStanzas for Ukraine – 2
Our second blog in the Stanzas for Ukraine project is written by the Crimean-Ukrainian poet Vyacheslav Huk, who now lives in Kyiv. He spent most of his childhood hidden from the Soviet authorities on his grandmother’s farm after reading a protest poem in class. In this week’s piece, he explains why this makes Putin’s attempt…
Read MoreStanzas for Ukraine (First Post)
Poetry School is proud to have partnered with tutors Steve Komarnyckyj and Elżbieta Wójcik-Leese, and PEN International’s Judyth Hill to publish Stanzas for Ukraine. Every fortnight we will publish a blog written by some of the most significant contemporary Ukrainian poets, who will reflect upon the more than 300 years of historical conflict their country has…
Read MoreSnapshot on: Becky Varley-Winter’s Live Wires: Starting to Write
Our Beginner’s course ‘Live Wires: Starting to Write’ with Becky Varley-Winter recently completed another term and Becky has put together a zine to showcase the students’ best work, which you can see extracts of below. The next iteration of this course will take place in our Summer 2022 Term (running 12 May – 14 July)….
Read MoreTaking the Piss Flower: on the pitfalls of writing poems inspired by art, and bringing something new to the party
Ekphrasis is one of those poemy words poets assume everyone knows, like villanelle, and pantoum; but my Mac doesn’t recognise it, flags it up, and takes me to Wiki – ‘an ekphrastic poem is a poem inspired or stimulated by a work of art’. I remember feeling so happy when I first discovered the word,…
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