Poetry School | Live Q&A’s | Activity https://poetryschool.com/groups/live-qas/ Activity feed for the group, Live Q&A’s. Mon, 04 May 2026 00:35:45 +0100 https://buddypress.org/?v= en-GB 30 hourly 2 aeaef9da5dc1d6093c664941ff7a20ba Will Barrett (Poetry School) posted an update in the group Live Q&A’s: And if anyone missed our Live Q&A with Mark Doty last week, […] https://poetryschool.com/campus/p/30167/ Thu, 11 Dec 2014 14:42:49 +0000 And if anyone missed our Live Q&A with Mark Doty last week, here again is the raw transcript file. Both great discussions. Happy reading!
Will Barrett (Poetry School Staff) uploaded new file(s): mark-doty-qa-transcript.pdf to Live Q&A’s

]]> 0 3cea673d1ef9dc14d7870a98066c2e85 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: For everyone who missed our Live Q&A with Poetry magazine […] https://poetryschool.com/campus/p/30166/ Thu, 11 Dec 2014 14:41:17 +0000 For everyone who missed our Live Q&A with Poetry magazine editor, Don Share on Monday, please find the raw transcript file attached. A more polished version of this will do up on the blog in the near future.
Will Barrett (Poetry School Staff) uploaded new file(s): don-share-qa-transcript.pdf to Live Q&A’s

]]> 0 f70e6cf81d0a3819867e1965c4e7adc1 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Hello everyone - thanks for such a busy, bustling live chat […] https://poetryschool.com/campus/p/11960/ Mon, 10 Mar 2014 10:59:56 +0000 Hello everyone – thanks for such a busy, bustling live chat with Sam Riviere on Friday. It was an enjoyable discussion. For those who missed it, please find the raw transcript file attached. Next Live Q&A will be with Neil Astley, editor of Bloodaxe Books (details coming soon)

Will Barrett uploaded new file(s): sam-riviere-qa-transcript.pdf to Live Q&A’s

]]> 0 5152062b41633d35cb1dc09cb7f72af8 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Don't forget, Sam Riviere will be here at 3pm today talking […] https://poetryschool.com/campus/p/11848/ Fri, 07 Mar 2014 12:15:53 +0000 Don’t forget, Sam Riviere will be here at 3pm today talking to our Digital Poet in Residence, @alexmacdonald about collaboration. Come along and join us in the Group Chat room.
]]> 0 d4aebda8181f935fb94af6531dce476d martin jackson posted an update in the group Live Q&A’s: #askSamRiviere Technology alters how we read, and write. Do […] https://poetryschool.com/campus/p/11846/ Fri, 07 Mar 2014 11:58:05 +0000 #askSamRiviere
Technology alters how we read, and write. Do you – consciously – approach poems-for-the-page differently to poems-for-the-screen?

#askSamRiviere
Do you think the UK’s piss-poor knowledge/education around computer science/coding/programming has had/will have an impact on the ability of our poets to write relevant poetry (if we agree that poetry has meaning/does stuff/changes things in the world)?

]]> 1 b9e7d348a14bd54f45f1dc6479cbe456 LeoMercer posted an update in the group Live Q&A’s: Hmm, some questions: 1. Do your ideas about poetry come just […] https://poetryschool.com/campus/p/11844/ Fri, 07 Mar 2014 11:34:28 +0000 Hmm, some questions:

1. Do your ideas about poetry come just from reflecting on your own experience of technology, or are there particular thinkers that have influenced the way you interpret that technology?
2. Who are your favourite internetish poets around, or has best engaged with virtuality?
3. Do you see yourself as \’against the grain\’ of most contemporary poetry, and if so, what do you think characterises \’most contemporary poetry\’?

Thanks 🙂

Leo

#askSamRiviere

]]> 0 468f9f7a80c191643ab2a536f7ceabf9 Babs posted an update in the group Live Q&A’s: Q/ Just as lots people still think of art being a […] https://poetryschool.com/campus/p/11797/ Thu, 06 Mar 2014 18:17:22 +0000 Q/ Just as lots people still think of art being a painting/sculpture, they also think of poetry as being poems in a book, or poetry being read at a recital. It seems to me that poetry collections rarely sell well and poetry readings just seem to attract other poets. Is the way forward to go the way of the art world… the way of New Media Art which often involves interaction between artist and observer or between observers and the artwork, which responds to them. Just as Banksy shook up the art world – how do we shake up the world of poetry??

]]> 0 cf3c3b767fcbc9b2e633d52b992753fe Will Barrett (Poetry School) posted an update in the group Live Q&A’s: #askSamRiviere I wanted to ask you what your thoughts on […] https://poetryschool.com/campus/p/11741/ Thu, 06 Mar 2014 13:21:06 +0000 #askSamRiviere

I wanted to ask you what your thoughts on art as self-expression are. It\’s interesting that despite the increasing trend for artistic collaboration / trans-disciplinary practice – combined with the critical dominance of post-modernism and the denial of autonomy – that we still generally conceive of making art as quite individualised, particularly poetry. The cult of personality still dominates in the arts, even in the performing arts where notions of creative collaboration are very widely accepted (in theatre, one looks out for the director or lead actor, in music the conductor or first violin, and so on). Why does this attitude still persist? Does it not pose massive problems for any kind of collaborative project?

]]> 0 7a2fa7acf68aed612f967437c4f6e027 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: To celebrate our Live Q&A with Sam Riviere tomorrow, I […] https://poetryschool.com/campus/p/11698/ Thu, 06 Mar 2014 11:36:58 +0000 To celebrate our Live Q&A with Sam Riviere tomorrow, I thought I’d share some of Sam’s recent(ish) collaborations. First up, ’Brazil’, a film collaboration with Katherine Mager and Luke Abbot

]]> 2 09a2849f7b007dfc0ed92b527c4e6ac2 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: A SAM RIVIERE PRIMER For those attending our live chat with […] https://poetryschool.com/campus/p/11537/ Tue, 04 Mar 2014 13:33:40 +0000 A SAM RIVIERE PRIMER

For those attending our live chat with Sam Riviere on Friday (poster attached), I though I’d share some of Sam’s poems to get us all in the mood:

Five poems from ’81 Austerities’:
http://etceterart.blogspot.co.uk/2011/06/five-poems-sam-riviere-from-81.html

An untitled poem published in AnOther magazine:

https://www.tumblr.com/samriviere/32194154428/another-magazine-autumnwinter-2012-from

‘Year of the Rabbit’ (Five Dials):
http://fivedials.com/files/fivedials_no27.pdf

‘american Sincerity’ (The Lifeboat):
http://www.lifeboatbelfast.co.uk/poems/sam-riviere/american-sincerity

‘It Gets Harder to Function in the World’ (Body Literature):

Sam Riviere

‘When It Came’ (New Statesman):
http://www.newstatesman.com/2012/05/when-it-came

Four poems (Shabby Dollhouse):
http://shabbydollhouse.com/woody-allen

‘Finally Rich’ and ‘Regular Black’ (The White Review):
http://www.thewhitereview.org/archives/contributors/sam-riviere/

‘Myself Included’ (Poetry International Web):
http://www.poetryinternationalweb.net/pi/site/poem/item/21671/auto/MYSELF-INCLUDED
]]> 0 0215df61648f488ca4ab6c7bafd69600 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Our Live Q&A with Sean O'Brien today - 'The Poetry of […] https://poetryschool.com/campus/p/11206/ Fri, 28 Feb 2014 11:53:50 +0000 Our Live Q&A with Sean O’Brien today – ‘The Poetry of History’ – has sadly been postponed. I will let you all know when we have a new date as soon as I can. Thanks!
]]> 0 5025d97c7a7336aa223efd42858fbabd Maggie Mackay posted an update in the group Live Q&A’s: #askSeanOBrien I am very much enjoying 'November' and […] https://poetryschool.com/campus/p/9875/ Thu, 13 Feb 2014 21:57:22 +0000 #askSeanOBrien I am very much enjoying \’November\’ and several of the poems have a particular resonance -\’Salisbury Street\’, \’Josie\’ and \’Michael\’.
In view of the success of last year\’s production of \’Masque of Anarchy\’ in Manchester, which political issue do you think is ripe for poetic declamation at the moment?

]]> 0 e4887d2edde585b8f8ad044a0c63ba7f Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Got a question for Sean O Brien? Then post your query into […] https://poetryschool.com/campus/p/9664/ Wed, 12 Feb 2014 11:29:49 +0000 Got a question for Sean O Brien? Then post your query into our Live Q&A’s group using the hashtag #askSeanOBrien



]]> 0 607cb5dc9a0ec36fd57a2087148e6852 Poetry School posted an update in the group Live Q&A’s: That’s it for Live Q&A’s this year! Many thanks to all tho […] https://poetryschool.com/campus/p/7730/ Wed, 18 Dec 2013 14:32:44 +0000 That’s it for Live Q&A’s this year! Many thanks to all those who attended. We will be returning in the New Year with lots more exciting guest poets and online panel discussions, and publishing edited versions of the 2013 programme on the blog. We’re all off to go hibernate for the winter…
]]> 2 09fdfb39bb4b635d1a9661f38e741da0 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Many thank you to W N Herbert for an incredibly […] https://poetryschool.com/campus/p/7293/ Fri, 06 Dec 2013 15:58:36 +0000 Many thank you to W N Herbert for an incredibly thought-provoking Q&A today. It was a delight to have him (and not have him). Read the full transcript attached
Will Barrett uploaded new file(s): w-n-herbert-transcript.pdf to Live Q&A’s

]]> 0 418511035c0677135578ad22fc5f6e3d Ollie Dawson posted an update in the group Live Q&A’s: #wishiwashere Who or what is Murder Bear and how can I avoid […] https://poetryschool.com/campus/p/7291/ Fri, 06 Dec 2013 13:52:23 +0000 #wishiwashere Who or what is Murder Bear and how can I avoid bumping into him?

]]> 0 ce1c4caea90cf91d39bb5150f411aa38 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: This is the intro to both editions of ‘Omensia’ by W N Her […] https://poetryschool.com/campus/p/7285/ Fri, 06 Dec 2013 12:23:46 +0000 This is the intro to both editions of ‘Omensia’ by W N Herbert. Excellent background reading before our Q&A this afternoon
http://wnherbert.wordpress.com/2013/02/27/apologia-pro-omnesia/

(As Omnesia appears to be out, it’s time to begin whatever it is which that tautology ‘the immodest author’ does by way of product-promotion – the upfront-lash? Here then is the intro that appears in both volumes, and purports to explain just what it is I’ve done.)

]]> 1 9e7bd5a89548acee427a3424b8adfb2a Karen Jane Cannon posted an update in the group Live Q&A’s: I annoyingly have to leave the chat about 15 mins early […] https://poetryschool.com/campus/p/7275/ Fri, 06 Dec 2013 10:03:36 +0000 I annoyingly have to leave the chat about 15 mins early today. I will slip out quietly…

]]> 1 a64fdbe3fcf3eb7561b0b225ff93717e Karen Jane Cannon posted an update in the group Live Q&A’s: #wishyouwerehere Leading on from Julia's question- i read […] https://poetryschool.com/campus/p/7253/ Thu, 05 Dec 2013 14:23:57 +0000 #wishyouwerehere

Leading on from Julia\’s question- i read somewhere that you live in a lighthouse. Is this where you write? If so, what sort of effect does this have on your writing- this division of land and sea that you live between… It must have an impact?

]]> 0 05803087249d7582e93795a96cfadd0b Julia Bird (Poetry School Staff) posted an update in the group Live Q&A’s: #wishyouwerehere Bill, you're a great tweeter - I […] https://poetryschool.com/campus/p/7252/ Thu, 05 Dec 2013 13:51:23 +0000 #wishyouwerehere Bill, you\’re a great tweeter – I particularly enjoy your cephalopod-themed observations. Are you using your poet\’s head as you tweet, or are they coming from another version of yourself?

]]> 0 4e80dedae81d555ed024b6c9e4b75864 Karen Jane Cannon posted an update in the group Live Q&A’s: #wishyouwerehere: i am very interested in the concept of […] https://poetryschool.com/campus/p/7117/ Mon, 02 Dec 2013 17:17:49 +0000 #wishyouwerehere: i am very interested in the concept of doubleness in literature and it seems to me the more you look for \’the double\’ the more you find it. Does everything have a double? Why did you choose this approach when writing Omnesia?

]]> 1 360946ff999b9cf1766c8958d22c8ea8 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Ok - time for a bit of a Bill Herbert primer before this […] https://poetryschool.com/campus/p/7106/ Mon, 02 Dec 2013 14:01:12 +0000 Ok – time for a bit of a Bill Herbert primer before this Friday\’s Q&A. For those of you that don\’t know, Bill has been extremely busy recently, and has a lot to discuss. Such as:

Omnesia – his twisty, epic twin instant classic from Bloodaxe
http://www.bloodaxebooks.com/titlepage.asp?isbn=1852249692

Murder Bear – a new collection from Donut Press
http://baroqueinhackney.com/2013/11/20/its-murder-out-bear-whats-up-in-the-woods-today/

Whaleback City – a new anthology of the poetry of Dundee, co-edited by Bill

The Third Shore – a new volume of Chinese and English poetry translations, co-edited by Bill

His appointment as the Makar of Dundee
http://www.dundee.ac.uk/pressreleases/2013/sept13/makar.htm

And for those unfamiliar with his work, the Scottish Poetry Library has a great little sampler of his work:
http://www.scottishpoetrylibrary.org.uk/poetry/poems/lost-films
http://www.scottishpoetrylibrary.org.uk/poetry/poems/facts-about-things
http://www.scottishpoetrylibrary.org.uk/poetry/poems/ariadne-broughty-ferry-beach
http://www.scottishpoetrylibrary.org.uk/poetry/poems/dingle-dell
http://www.scottishpoetrylibrary.org.uk/poetry/poems/cant-spell-wont-spell
http://www.scottishpoetrylibrary.org.uk/poetry/poems/epistle

Finally, a new poem – \’Hellbeareen\’:
http://www.inksweatandtears.co.uk/pages/?p=5702

]]> 0 08d01942f198c1699168c7ede279ebb7 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Bill Herbert is coming to CAMPUS next Friday to answer your […] https://poetryschool.com/campus/p/6953/ Fri, 29 Nov 2013 15:53:58 +0000 Bill Herbert is coming to CAMPUS next Friday to answer your questions! Email campus@poetryschool.com to take part #wishiwashere
]]> 0 03bbafb82fdd884900e957a1c9409b56 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Hello everyone. Thanks for an incredibly lively and […] https://poetryschool.com/campus/p/6499/ Fri, 22 Nov 2013 15:14:53 +0000 Hello everyone. Thanks for an incredibly lively and interesting Live Q&A this afternoon, with @pascalepetit and @clairetrevien . For those who missed out, please find the transcript attached #LiveQ&As
Will Barrett uploaded new file(s): pascale-petit-qa-live-chat.pdf to Live Q&A’s

]]> 0 6233fa80d2b601cf3a0377bb4e39672a Victoria Hicks posted an update in the group Live Q&A’s: This is a very late question as I know you are starting soon […] https://poetryschool.com/campus/p/6483/ Fri, 22 Nov 2013 12:39:13 +0000 This is a very late question as I know you are starting soon and I cannot be here sadly. #askpascallepetit
I have heard the quote from Sylvia Plath \” The worst enemy to creativity is self doubt\” and I was thinking, trauma somehow removes the person experiencing it from a world they may have known and places them in another. Removed from the original idea of the self a doubt may become an intrinsic part of the experience of living through the traumatic state. I thought therefore writing about trauma ( experienced) may be a way of mapping a terrain. A new kind of landscape, back to the state of knowing? But from another position. This question isn\’t fully formed .more of a thought really. What do you think.

]]> 2 bcf1299400ace7ecf3a0a54a690eee16 Karen Jane Cannon posted an update in the group Live Q&A’s: #askpascalepetit- why did you choose to place the father in […] https://poetryschool.com/campus/p/6448/ Thu, 21 Nov 2013 16:49:20 +0000 #askpascalepetit- why did you choose to place the father in \’The Zoo Father\’ in the Amazon but keep the mother in France? Why choose to distance the father from- i\’m presumably- his native country and place him somewhere so alien?

]]> 0 07fd907777730c31be38337cb63d1756 Karen Jane Cannon posted an update in the group Live Q&A’s: #askpascalepetit- did you consciously decide to write a book […] https://poetryschool.com/campus/p/6447/ Thu, 21 Nov 2013 16:45:25 +0000 #askpascalepetit- did you consciously decide to write a book on your relationship with your father or did this organically occur in the writing process?

]]> 0 84103d050a38d0c43a6a533905d73d16 Karen Jane Cannon posted an update in the group Live Q&A’s: #askpascalepetit- please could you explain your use of 'The […] https://poetryschool.com/campus/p/6446/ Thu, 21 Nov 2013 16:42:30 +0000 #askpascalepetit- please could you explain your use of \’The Mask\’ – an image that appears in several of the poems in \’The Zoo Father\’

]]> 0 41e4fb4975ce25bc87af1d5306c39b5d Karen Jane Cannon posted an update in the group Live Q&A’s: #askpascalepetit- Why did you choose so many powerful animal […] https://poetryschool.com/campus/p/6445/ Thu, 21 Nov 2013 16:37:56 +0000 #askpascalepetit- Why did you choose so many powerful animal transformations for the father in \’The Zoo Father\’? Was that a representation of maculinity or something else?

]]> 0 e97cbf2782e9bbf98145a9eedba32795 Peter Wise posted an update in the group Live Q&A’s: #askPascalePetit Could you tell us little about how you work […] https://poetryschool.com/campus/p/6443/ Thu, 21 Nov 2013 16:13:02 +0000 #askPascalePetit
Could you tell us little about how you work with form. Do the initial inklings of a poem, a first line or an image, for example, usually determine its final form or is it a more conscious process of shaping and adapting? Thank you

]]> 0 29202187b6d18284722d12c51375590c Poetry School posted an update in the group Live Q&A’s: A question from Harriet Proudfoot, who sadly cannot attend: […] https://poetryschool.com/campus/p/6349/ Wed, 20 Nov 2013 12:47:05 +0000 A question from Harriet Proudfoot, who sadly cannot attend: \”How did you find the metaphor of Emanuel, the great bell of Notre Dame? It reverberates, it heals the poet, I think, while not for one second condoning or minimising the damage done. It’s a wonderful poem which really succeeds in bringing a most powerful resolution out of trauma\” #askpascalepetit

]]> 0 76c320eaa9b2203688bab3fc888d3c5f Karen Jane Cannon posted an update in the group Live Q&A’s: Is metaphor a useful tool in helping to write about personal […] https://poetryschool.com/campus/p/6150/ Mon, 18 Nov 2013 13:44:23 +0000 Is metaphor a useful tool in helping to write about personal issues with more emotional distance? Does it help in overcoming self censorship? #pascalepetit

]]> 5 6056d1ed7892ac046ebb6ef93eb7f9d0 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: For those of you who couldn't make our Live Q&A with Emily […] https://poetryschool.com/campus/p/6139/ Mon, 18 Nov 2013 11:41:53 +0000 For those of you who couldn\’t make our Live Q&A with Emily Berry – and for those that did – please find the transcript attached. It was a great first session so thanks to everyone for your questions
Will Barrett uploaded new file(s): emily-berry-qa-transcript.pdf to Live Q&A’s

]]> 4 f33e2776947a1e38dd27d69be80441ae Will Barrett (Poetry School) posted an update in the group Live Q&A’s: I’ve always been captivated by the use of an invented or ‘ […] https://poetryschool.com/campus/p/5943/ Fri, 15 Nov 2013 10:50:46 +0000 I’ve always been captivated by the use of an invented or ‘constructed’ language at the end of \’The Tomato Salad’. Inventing a language must be very freeing, but also exasperating, as the responsibility is on you to engineer the rules by which this new language operates. How long did you work on ‘Tomatospeak’ for until you got it ‘right’, and did you look at other invented languages when deciding how a tomato should sound, such as Klingon or Interlingua, or is it more a case of intuitively-constructed nonsense? #emilyberryq&a

]]> 0 21e96e812183932a6b7b5511f2b1f28e Sarah Dawson posted an update in the group Live Q&A’s: I saw you read at the Poetry Library birthday party, and […] https://poetryschool.com/campus/p/5936/ Fri, 15 Nov 2013 08:57:30 +0000 I saw you read at the Poetry Library birthday party, and loved how you came on and burst into My Perpendicular Daughter, \’in character\’, with no preamble. I wondered why you decided to go with that quite deadpan style of reading, and what you hope to add to your poems in performance that someone wouldn\’t be able to get out of the book? #emilyberryq&a

]]> 0 fe147a478f90fc78c3a23ee63cdb4f2e Peter Wise posted an update in the group Live Q&A’s: I realise this may be an impossible question to answer […] https://poetryschool.com/campus/p/5929/ Thu, 14 Nov 2013 19:35:38 +0000 I realise this may be an impossible question to answer (sorry!), but do you have an idea of what you hope to give readers in a poem: a beautiful thing or a useful one, for example, or perhaps a disturbing thing or a living thing? Perhaps all or none of those? Or rather do you just write what you feel you have to/want to and leave it to each reader to make of it what they will?
A second question on process: do you compose complete poems in your head before you write them down, or perhaps write a few lines straight into a notebook and build from there? Perhaps none or a mixture of the above? Thank you. #emilyberryq&a

]]> 0 b6bf93e05d01ae1a6bfedfa1bb8a86ef Julia Bird (Poetry School Staff) posted an update in the group Live Q&A’s: How old is the oldest poem in the book? How new is the […] https://poetryschool.com/campus/p/5901/ Thu, 14 Nov 2013 14:50:14 +0000 How old is the oldest poem in the book? How new is the newest? I’ve always been interested in the idea that all cells in the body are replaced every seven years, so that you’re a completely different physical person at 28 from the one you were at 21 … I suspect that this regeneration is a mental one too. Does your own younger self occupy the same poetic territory as your older self? #emilyberryq&a

]]> 0 75753c37ca360267b63632a5587bdd73 Ollie Dawson posted an update in the group Live Q&A’s: The duo of Arlene poems in the collection were particularly […] https://poetryschool.com/campus/p/5730/ Tue, 12 Nov 2013 18:06:31 +0000 The duo of Arlene poems in the collection were particularly striking to me. When I read or listen to them it seems as if the narrative detail and rhetorical devices at play set up a tension that makes the poems crackle with uneasy energy. The form also contributes to this unsettling experience. In writing these poems how much were these different aspects consciously wrought into this uneasy relationship? Or did you ‘discover’ this tension on the page as you worked with the content of the poems? Perhaps you don’t agree with my analysis! I suppose the more open question is how much, in the process of writing did the formal techniques employed in these poems variously drive or serve what is being communicated? #emilyberryq&a

]]> 0 75aa1c80cb3cd83201000f12aa6ec574 Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Ahead of our live chat this Friday, here’s a quick Emily B […] https://poetryschool.com/campus/p/5624/ Mon, 11 Nov 2013 17:44:47 +0000 Ahead of our live chat this Friday, here’s a quick Emily Berry primer for those uninitiated to her wonderful work:

Our Love Could Spoil Dinner:
http://londonreviewofbreakfasts.blogspot.co.uk/2013/06/poem-our-love-could-spoil-dinner-by.html

Nothing Sets My Heart Aflame:
http://www.newstatesman.com/culture/culture/2012/08/nothing-sets-my-heart-aflame

A Short Guide To Corseting:

Some Fears:

The Old Fuel:
http://www.granta.com/dyn/1308577069095.jpeg

International Year of the Poem:
http://www.forwardartsfoundation.org/poetry/the-international-year-of-the-poem/

]]> 0 e41f5b182963c9a9792ca34b28adfa8f Will Barrett (Poetry School) posted an update in the group Live Q&A’s: And then a week later, Poetry School co-founder, Pascale […] https://poetryschool.com/campus/p/5470/ Fri, 08 Nov 2013 15:47:13 +0000 And then a week later, Poetry School co-founder, Pascale Petit, will be here to discuss trauma and transformation. Again, RSVP: campus@poetryschool.com
]]> 0 e606fb297862f24a91dc00fd79e64e5d Will Barrett (Poetry School) posted an update in the group Live Q&A’s: Poets! We’ve got a live interactive Q&A with the Forward P […] https://poetryschool.com/campus/p/5468/ Fri, 08 Nov 2013 15:42:39 +0000 Poets! We’ve got a live interactive Q&A with the Forward Prize-winning Emily Berry next Friday, right here on CAMPUS. Get involved (from your sofa). RSVP: campus@poetryschool.com
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