Develop your writing through discussion and feedback in this advanced workshop with prize-winning poet, Richard Price.
* To ensure the safety of our tutors and students, this course will take place on video-conferencing platform, ZOOM *
This course is for advanced writers of poetry. Each week, poets will benefit from in-depth discussion of their poems in a supportive environment. This course has a clear focus on editing and re-drafting alongside a discussion of themes and ideas, forms, and technical aspects. Responding to the work of the group as it unfolds the tutor will also introduce poems from a range of traditions to provoke thought and expand the poets’ potential range.
10 weekly sessions on Fridays, 11am – 1pm, starts 15 January. This is the second of a three-term course. Students from term one will be given priority booking for this course. General booking for any remaining places will open on 23 November.
Please note: Entry to this course is by application only. If you would like to join please send a submission of three poems to [email protected] If you book online before applying we cannot guarantee that you will be granted entry to the course. More information about how all our face-to-face courses work can be found on the Face-to-Face courses page.
About Richard Price View Profile
Richard Price is the author of the acclaimed Lucky Day, Moon for Sale, and the prize-winning Small World (all Carcanet). He recently published a book of essays on poetry, small presses, and artist’s books, Is This A Poem? (Molecular Press). “Poets have to be linguistic virtuosi, but I prefer them to be brilliant quietly. Richard Price’s poetry is inventive, sometimes dazzling, but never merely showy.” – Carol Rumens, The Guardian
'The supportive staff at the Poetry School have been very helpful and transparent when it comes to applying and finding ways to make tuition affordable. Richard Price has been invaluable to this group of student poets--primarily in making them feel they and their work are valuable. A real community has taken shape among members of this course thanks to the egalitarian and celebratory nature of Richard's workshop. Richard also presses poets to find clearer ways of giving feedback, which ultimately means more precise ways of thinking. Thank you, Richard and the Poetry School!'